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what a young girl! The preferred friend of his entire winter, she on
whose account he had prolonged his stay in Rome, for she was the most
graceful vision of delicacy and of melancholy in the framework of
a tragical and solemn past. Any other than Dorsenne would not have
admitted such an idea without being inspired with horror. But Dorsenne,
on the contrary, suddenly began to dive into that sinister hypothesis,
to help it forward, to justify it. No one more than he suffered from a
moral deformity which the abuse of a certain literary work inflicts
on some writers. They are so much accustomed to combining artificial
characters with creations of their imaginations that they constantly
fulfil an analogous need with regard to the individuals they know best.
They have some friend who is dear to them, whom they see almost daily,
who hides nothing from them and from whom they hide nothing. But if they
speak to you of him you are surprised to find that, while continuing to
love that friend, they trace to you in him two contradictory portraits
with the same sincerity and the same probability.
They have a mistress, and that woman, even in the space sometimes of one
day, sees them, with fear, change toward her, who has remained the same.
It is that they have developed in them to a very intense degree the
imagination of the human soul, and that to observe is to them only
a pretext to construe. That infirmity had governed Julien from early
maturity. It was rarely manifested in a manner more unexpected than in
the case of charming Alba Steno, who was possibly dreaming of him at the
very moment when, in the silence of the night, he was forcing himself to
prove that she was capable of that species of epistolary parricide.
"After all," he said to himself, for there is iconoclasm in the
excessively intellectual, and they delight in destroying their dearest
moral or sentimental idols, the better to prove their strength, "after
all, have I really understood her relations toward her mother? When I
came to Rome in November, when I was to be presented to the Countess,
what did not only one, but nine or ten persons tell me? That Madame
Steno had a liaison with the husband of her daughter's best friend, and
that the little one was grieving about it. I went to the house. I saw
the child. She was sad that evening. I had the curiosity to wish to read
her heart.... It is six months since then. We have met almost daily,
often twice a day. She i
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