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joy, and death as life?-- You lean on dreams, and take more credit for it. I stand alone . . . Well, I take credit, too. You find your pleasure in being at one with all things-- Fusing in lambent dream, rising and falling As all things rise and fall . . . I do that too-- With reservations. I find more varied pleasure In understanding: and so find beauty even In this strange dream of yours you call the truth. Well, I have bored you. And it's growing late. For household news--what have you heard, I wonder? You must have heard that Paul was dead, by this time-- Of spinal cancer. Nothing could be done-- We found it out too late. His death has changed me, Deflected much of me that lived as he lived, Saddened me, slowed me down. Such things will happen, Life is composed of them; and it seems wisdom To see them clearly, meditate upon them, And understand what things flow out of them. Otherwise, all goes on here much as always. Why won't you come and see us, in the spring, And bring old times with you?--If you could see me Sitting here by the window, watching Venus Go down behind my neighbor's poplar branches,-- Just where you used to sit,--I'm sure you'd come. This year, they say, the springtime will be early. XI. CONVERSATION: UNDERTONES What shall we talk of? Li Po? Hokusai? You narrow your long dark eyes to fascinate me; You smile a little. . . . Outside, the night goes by. I walk alone in a forest of ghostly trees . . . Your pale hands rest palm downwards on your knees. 'These lines--converging, they suggest such distance! The soul is drawn away, beyond horizons. Lured out to what? One dares not think. Sometimes, I glimpse these infinite perspectives In intimate talk (with such as you) and shrink . . . 'One feels so petty!--One feels such--emptiness!--' You mimic horror, let fall your lifted hand, And smile at me; with brooding tenderness . . . Alone on darkened waters I fall and rise; Slow waves above me break, faint waves of cries. 'And then these colors . . . but who would dare describe them? This faint rose-coral pink . . this green--pistachio?-- So insubstantial! Like the dim ghostly things Two lovers find in love's still-twilight chambers . . . Old peacock-f
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