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y occupied by the enemy_). "WELL, THEY SAY THERE'S NO PLACE LIKE 'OME; BUT IT'S A BLOOMIN' UNCOMFORTABLE PLACE TO MAKE SUCH A FUSS ABOUT LEAVIN'!" * * * * * OUR BOOKING-OFFICE. (_By Mr. Punch's Staff of Learned Clerks._) _Sinister Street, Vol. II._ (SECKER) is a book for which I have been waiting impatiently this great while, and I welcomed it with eagerness. The first volume left off, you may remember, with _Michael_ just about to go up to Oxford. Knowing what Mr. COMPTON MACKENZIE could do with such a theme, I have anticipated all these months that to watch his hero at the university would be to renew my own youth. The book has appeared now, and I am justified of my faith. I say without hesitation that the first half of this second volume (which, by the way, to show that it is a second volume and not a sequel, starts at page 499) is the most complete and truest picture of modern Oxford that has been or is likely to be written. For those who, like myself, have their most cherished memories bound up with the life of which it treats, the actuality of the whole thing would make criticism impossible. But as a matter of fact these seventeen chapters seem to me to show Mr. MACKENZIE'S art at its best. They display just that strange combination of realism and aloofness that gives to his writing its special charm. No one has ever (for example) reproduced more perfectly the talk of young men; and this scattered speech, in what Mr. MACKENZIE himself might call its infinitely fugacious quality, contrasts effectively with the deliberate, somewhat mannered beauty of the setting. Mr. MACKENZIE is an overlord of words, old and new, bending them to strange and unexpected uses, yet always avoiding affectation by the sheer vitality of his strength. As for the matter of these first chapters, one might say that nothing whatever happens in them. They are an epic of adolescence wherein growth is the only movement. Events are for the second half of the volume. Here _Michael_ has come down from Oxford, and has set himself to find and rescue by marriage the girl _Lily_, whom (you remember) he loved as a boy, and who has since drifted into the underworld. About this part of the story I will only say that, though the art is still there and the same haunting melody of style, Mr. MACKENZIE has too strong a sense of atmosphere to allow him to treat squalor in a fashion that will be agreeable to the universe. F
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