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t the real world seems to be so full of. I've never had a fair chance to show what was in me; I've always been placed in such a false position. Now I have no position at all, not even a false one!" Her companion was silent for a while. Then he said: "Yes, they all seem, authors and authoresses both, to lose sight of the fact that the constitution of our society is more picturesque, more dramatic, more poetical than any in the world. We can have the play of all the passions and emotions in ordinary, innocent love-making that other peoples can have only on the worst conditions; and yet the story-writers won't avail themselves of the beauty that lies next to their hands. They go abroad for impossible circumstances, or they want to bewitch ours with the chemistry of all sorts of eccentric characters, exaggerated incentives, morbid propensities, pathological conditions, or diseased psychology. As I said before, I know I'm only a creature of the storyteller's fancy, and a creature out of work at that; but I believe I was imagined in a good moment--I'm sure _you_ were--and I should like an engagement in an honest, wholesome situation. I think I could do creditable work in it." "I _know_ you could," the heroine rejoined, fervently, almost tenderly, so that it seemed to the listener there was an involuntary _rapprochement_ of their shadowy substances on the bench where they floated in a sitting posture. "I don't want to be greedy; I believe in living and letting live. I think the abnormal has just as good a right to be in the stories as the normal; but why shut the normal out altogether? What I should like to ask the short-story writers is whether they and their readers are so bored with themselves and the people they know in the real world that they have no use for anything like its average in their fiction. It's impossible for us to change--" "I shouldn't wish _you_ to change," the hero said, so fondly that the witness trembled for something more demonstrative. "Thank you! But what I mean is, couldn't _they_ change a little? Couldn't they give us another trial? They've been using the abnormal, in some shape or other, so long that I should think they would find a hero and heroine who simply fell in love at a dance or a dinner, or in a house-party or at a picnic, and worked out their characters to each other, through the natural worry and difficulty, and pleasure and happiness, till they got married--a relief from, well,
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