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nd with no mark of difference for her who wears it, or way to tell which may be mistress and which the servant. It is not well for one or the other, madame; it is ill for both. Then, too, many must stand aside who would learn, since it is always the machine to sew that needs not many. It is true there are still houses that care for a name, and where one may be _artiste_, and have pride in an inspiration. But they are rare; and now one sits all day, and this one stitches sleeves, perhaps, or seams of waists or skirts, and knows not effects, or how to plan the whole, or any joy of composition or result. It is bad, and all bad, and I willingly would see the great shops go, and myself urge well their destruction." These words, and a flood of more in the same direction, came as hot protest against any visit to the Magasins du Louvre, an enormous establishment of the same order as the Bon Marche, but slightly higher in price, where hundreds are employed as saleswomen, and where, side by side with the most expensive productions of French skill, are to be found the _occasions_,--the bargains in which the foreigner delights even more than the native. "Let them go there," pursued the little _modiste_, well on in middle life, whose eager face and sad dark eyes lighted with indignation as she spoke. "Let those go there who have money, always money, but no taste, no perception, no feeling for a true combination. I know that if one orders a robe that one comes to regard to say, 'Yes, so and so must be for madame,' but how shall she know well when she is blunted and dead with numbers? How shall she feel what is best? I, madame, when one comes to me, I study. There are many things that make the suitability of a confection; there is not only complexion and figure and age, but when I have said all these, the thought that blends the whole and sees arising what must be for the perfect robe. This was the method of Madame Desmoulins, and I have learned of her. When it is an important case, a trousseau perhaps, she has neither eaten nor slept till she has conceived her list and sees each design clear. And then what joy! She selects, she blends with tears of happiness; she cuts with solemnity even. Is there such a spirit in your Bon Marche? Is there such a spirit anywhere but here and there to one who remembers; who has an ideal and who refuses to make it less by selling it in the shops? Again, madame, I tell you it is a debasement so to d
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