, 135
"Nativity of the Virgin" (Murillo), 224
Naturalists of the seventeenth century, 140, 150
Navarrete, Juan Fernandez, 211
"Navicella" (Giotto), 66
"Nest of Cupids," 34
Nicholas V., epitaph on Fra Angelico, 78
Nikias, 17-18
Nikomachos, 17
"Nile Mosaic (The)," 36
"Niobe," 36
Noort, Adam van, instructor of Rubens, 162;
of Jordaens, 167
"Notte" (Correggio), 135
Nude paintings forbidden by Spanish Inquisition, 208
Nuremburg school, 193
"Old Temeraire" (Turner), 287-288
Ophem, Anna van, and Vandyck, 169
Oppert, J., quoted, 9, 11
Orcagna, Andrea, 70-71
"Orestes and Pylades" (West), 265
Oriental nations more advanced in architecture and sculpture
than in painting, 2
Oriental origin of mosaics, 34
Orsay, Count d', portrait of Landseer, 301
Ostades, Van, 178
Outline drawing the best part of Egyptian painting, 7
Pacheco, Francisco, 208, 214, 216
Palma, Jacopo, 121
Panel-pictures, 23, 50-51, 60, 61
Papyrus rolls, Egyptian illustrations in, 8
"Paradise" (Tintoretto), 130
Pareja, Juan de, 220
Parmigianino, 139
Parrhasius, 14-15
"Parting of Hero and Leander" (Turner), 287
Paul III., portrait by Titian, 126
Pausias, 17
Pavement mosaics, 35-36
"Peep-o'-Day Boy's Cabin" (Wilkie), 293
Pelham, Charles, portrait by Copley, 259
Pembroke, Earl of. _See_ Wilton Family
Perkins, A. T., quoted, 260
Perkins, C. C., quoted, 70
Perkins, Mrs. Edmund, portrait by Copley, 260
Perspective, unknown to Egyptians, 5;
and to Oriental nations, 13;
first used by Apollodorus, 14;
its use in Middle Ages, 58;
Turner's lectures on, 280-281
Perugino, Pietro, 82, 84, 107
Petrus, Christus, 158
Philip I., and Berreguette, 209;
employs Coxie to copy Van Eyck's altar-piece, 156
Philip II., and Titian, 127;
and Morales, 209;
and Coello, 210;
and Navarrete, 211
Philip IV., and Carreno, 212;
and Zurbaran, 215;
and Herrera, 215;
and Velasquez, 216-218;
and Cano, 231
Philip of Burgundy, employs Jan van Eyck, 156
Philip of Macedon, portraits by Apelles, 18
"Phryne Going to the Public Baths as Venus" (Turner), 287
"Pieta, La" (Michael Angelo), 99
Pirkheimer, Willibald, and Duerer, 195
"Plague at Jaffa" (Gros), 242
Pliny, quoted, 14, 21-23
"Pointers, To-ho!" (Landseer), 295
Pollajuolo, Antonio, 79
Ponte, Da, family, 132
"Portrait of Dante" (Giotto), 64-66
"Portrait of a Young Woman" (Rem
|