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, 135 "Nativity of the Virgin" (Murillo), 224 Naturalists of the seventeenth century, 140, 150 Navarrete, Juan Fernandez, 211 "Navicella" (Giotto), 66 "Nest of Cupids," 34 Nicholas V., epitaph on Fra Angelico, 78 Nikias, 17-18 Nikomachos, 17 "Nile Mosaic (The)," 36 "Niobe," 36 Noort, Adam van, instructor of Rubens, 162; of Jordaens, 167 "Notte" (Correggio), 135 Nude paintings forbidden by Spanish Inquisition, 208 Nuremburg school, 193 "Old Temeraire" (Turner), 287-288 Ophem, Anna van, and Vandyck, 169 Oppert, J., quoted, 9, 11 Orcagna, Andrea, 70-71 "Orestes and Pylades" (West), 265 Oriental nations more advanced in architecture and sculpture than in painting, 2 Oriental origin of mosaics, 34 Orsay, Count d', portrait of Landseer, 301 Ostades, Van, 178 Outline drawing the best part of Egyptian painting, 7 Pacheco, Francisco, 208, 214, 216 Palma, Jacopo, 121 Panel-pictures, 23, 50-51, 60, 61 Papyrus rolls, Egyptian illustrations in, 8 "Paradise" (Tintoretto), 130 Pareja, Juan de, 220 Parmigianino, 139 Parrhasius, 14-15 "Parting of Hero and Leander" (Turner), 287 Paul III., portrait by Titian, 126 Pausias, 17 Pavement mosaics, 35-36 "Peep-o'-Day Boy's Cabin" (Wilkie), 293 Pelham, Charles, portrait by Copley, 259 Pembroke, Earl of. _See_ Wilton Family Perkins, A. T., quoted, 260 Perkins, C. C., quoted, 70 Perkins, Mrs. Edmund, portrait by Copley, 260 Perspective, unknown to Egyptians, 5; and to Oriental nations, 13; first used by Apollodorus, 14; its use in Middle Ages, 58; Turner's lectures on, 280-281 Perugino, Pietro, 82, 84, 107 Petrus, Christus, 158 Philip I., and Berreguette, 209; employs Coxie to copy Van Eyck's altar-piece, 156 Philip II., and Titian, 127; and Morales, 209; and Coello, 210; and Navarrete, 211 Philip IV., and Carreno, 212; and Zurbaran, 215; and Herrera, 215; and Velasquez, 216-218; and Cano, 231 Philip of Burgundy, employs Jan van Eyck, 156 Philip of Macedon, portraits by Apelles, 18 "Phryne Going to the Public Baths as Venus" (Turner), 287 "Pieta, La" (Michael Angelo), 99 Pirkheimer, Willibald, and Duerer, 195 "Plague at Jaffa" (Gros), 242 Pliny, quoted, 14, 21-23 "Pointers, To-ho!" (Landseer), 295 Pollajuolo, Antonio, 79 Ponte, Da, family, 132 "Portrait of Dante" (Giotto), 64-66 "Portrait of a Young Woman" (Rem
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