for he, unlike the Duke of
Urbino, rose to eminence by his own exertion in a profession fraught
with peril to men of ambition and energy. Federigo started with a
principality sufficient to satisfy his just desires for power. Nothing
but his own sense of right and prudence restrained Colleoni upon the
path which brought Francesco Sforza to a duchy by dishonorable dealings,
and Carmagnola to the scaffold by questionable practice against his
masters.
LOMBARD VIGNETTES.
ON THE SUPERGA.
This is the chord of Lombard coloring in May: Lowest in the scale,
bright green of varied tints, the meadow-grasses mingling with willows
and acacias, harmonized by air and distance; next, opaque blue--the blue
of something between amethyst and lapis-lazuli--that belongs alone to
the basements of Italian mountains; higher, the roseate whiteness of
ridged snow on Alps or Apennines; highest, the blue of the sky,
ascending from pale turquoise to transparent sapphire filled with light.
A mediaeval mystic might have likened this chord to the spiritual world.
For the lowest region is that of natural life, of plant and bird and
beast, and unregenerate man. It is the place of faun and nymph and
satyr, the plain where wars are fought and cities built and work is
done. Thence we climb to purified humanity, the mountains of purgation,
the solitude and simplicity of contemplative life not yet made perfect
by freedom from the flesh. Higher comes that thin white belt, where are
the resting-places of angelic feet, the points whence purged souls take
their flight towards infinity. Above all is heaven, the hierarchies
ascending row on row to reach the light of God.
This fancy occurred to me as I climbed the slope of the Superga, gazing
over acacia hedges and poplars to the mountains bare in morning light.
The occasional occurrence of bars across this chord--poplars shivering
in sun and breeze, stationary cypresses as black as night, and tall
campanili with the hot red shafts of glowing brick--adds just enough of
composition to the landscape. Without too much straining of the
allegory, the mystic might have recognised in these aspiring bars the
upward effort of souls rooted in the common life of earth.
The panorama, unrolling as we ascend, is enough to overpower a lover of
beauty. There is nothing equal to it for space and breadth and majesty.
Monte Rosa, the masses of Mont Blanc blended with the Grand Paradis, the
airy pyramid of Monte Viso
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