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n horizontal. Except in brilliant sunshine it is difficult to get a sharp focus, and, even though the focus appear sharp on the ground glass, the negative may prove blurred. Then the instrument is a great dust catcher and seems to have been constructed with a perverse ingenuity so as to make it as difficult as possible to clean. The writer uses his Graflex almost solely for native portraits and studies, for which purpose it is admirable, and has enabled him to secure negatives that he could not have obtained with any other hand camera. Even in the summer, however, he always carries his 3A Folding Pocket Kodak as well, and uses it instead of the Graflex for landscapes and large groups. If he had to choose between the two instruments and confine himself to one, he would unhesitatingly choose the Folding Pocket Kodak. The difficulties of winter photography in Alaska do not end with the making of the exposure. All water must be brought up in a bucket from a water-hole in the river, and though it be clear water when it is dipped up from under the ice, it is chiefly ice by the time it reaches the house, during any cold spell. One learns to be very economical of water when it is procured with such difficulty, learns to dry prints with blotting-paper between the successive washings, which is the best way of washing with the minimum of water. Blotting-paper is decidedly cheaper than water under some circumstances. While the rivers run perfectly clear and bright under the ice in the winter, in summer the turbid water of nearly all our large streams introduces another difficulty, and photographic operation must sometimes be deferred for weeks, unless the rain barrels be full or enough ice be found in the ice-house, over and above the domestic needs, to serve. [Sidenote: EFFECT OF COLD ON EMULSIONS] It seems certain that the speed of the sensitive emulsions with which the films are covered is reduced in very cold weather. To determine whether or not this was so, the following experiments were resorted to. The camera was brought out of the house half an hour before noon, at 50 deg. below zero, and an exposure made immediately. Then the camera was left in position for an hour and another exposure made. There was little difference in the strength of the negatives, and what difference there was seemed in favour of the second exposure. Evidently, if the emulsion had slowed, the shutter had slowed also; so opportunity was awaite
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