n horizontal. Except in brilliant sunshine it is difficult to
get a sharp focus, and, even though the focus appear sharp on the ground
glass, the negative may prove blurred. Then the instrument is a great
dust catcher and seems to have been constructed with a perverse
ingenuity so as to make it as difficult as possible to clean.
The writer uses his Graflex almost solely for native portraits and
studies, for which purpose it is admirable, and has enabled him to
secure negatives that he could not have obtained with any other hand
camera. Even in the summer, however, he always carries his 3A Folding
Pocket Kodak as well, and uses it instead of the Graflex for landscapes
and large groups. If he had to choose between the two instruments and
confine himself to one, he would unhesitatingly choose the Folding
Pocket Kodak.
The difficulties of winter photography in Alaska do not end with the
making of the exposure. All water must be brought up in a bucket from a
water-hole in the river, and though it be clear water when it is dipped
up from under the ice, it is chiefly ice by the time it reaches the
house, during any cold spell. One learns to be very economical of water
when it is procured with such difficulty, learns to dry prints with
blotting-paper between the successive washings, which is the best way of
washing with the minimum of water. Blotting-paper is decidedly cheaper
than water under some circumstances.
While the rivers run perfectly clear and bright under the ice in the
winter, in summer the turbid water of nearly all our large streams
introduces another difficulty, and photographic operation must sometimes
be deferred for weeks, unless the rain barrels be full or enough ice be
found in the ice-house, over and above the domestic needs, to serve.
[Sidenote: EFFECT OF COLD ON EMULSIONS]
It seems certain that the speed of the sensitive emulsions with which
the films are covered is reduced in very cold weather. To determine
whether or not this was so, the following experiments were resorted to.
The camera was brought out of the house half an hour before noon, at 50 deg.
below zero, and an exposure made immediately. Then the camera was left
in position for an hour and another exposure made. There was little
difference in the strength of the negatives, and what difference there
was seemed in favour of the second exposure. Evidently, if the emulsion
had slowed, the shutter had slowed also; so opportunity was awaite
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