s Peal, which is sufficient to shew the course
and method thereof.

123456
213465
231645
236145
263415
623451
632451
362415
326145
321645
312465
132456
134256
314265
341625
346125
364215
634251
634521
364512
346152
341652
314562
134526
------
143526
413562
431652
436152
463512
643521
643251
463215
436125
431625
413265
143256
142356
412365
421635

At the extream change next before, I have drawn a line
between the figures, that next below the line is the
extream: The aforesaid Peal may be Rang with any other
whole hunt, or half hunt; and also the Twenty-four changes
doubles and singles, may be made in the room of the plain
Twenty-four in the aforesaid Peal.

Trebles and Doubles on six Bells.

There are many Peals of Trebles and Doubles to be Rang on
six bells, as, Six-score changes, Seven-score and four,
Twelve-score, and Seven-hundred and twenty. In each of
which Peals, the changes that are made from the time that
the whole hunt leaves the trebles place hunting up, until
it comes down into that place again, are all made in one
and the same manner, so that the only difference in these
Peals, consists in making the changes when the whole hunt
leads. These Peals are called Trebles and Doubles, because
one is a treble change (that is, 3 changes made together,
in which all the six bells do change their places, thus,
123456:214365:) and the next is a double change between the
4 bells, in the midst, thus, 241635: And in this course the
changes are alwayes made from the time that the whole hunt
leaves the trebles place hunting up, until it comes down
into the trebles place again; and in Ringing this Peal,
'tis observed, that every bell does hunt in a perfect and
direct course, and be twice together before, and twice behind,
until the whole hunt leads.

The manner of Ringing the Seven-score and four, is this;
the treble and tenor are both whole hunts, and the second
is the half hunt; the first change is a treble change, and
the next a double change, as I shewed you before; in which
course they are made, until the treble leads again, and the
tenor lie behind; at which time there's a single change to
be made in third and fourths places: But when the half hunt
lies next to the treble, then the next single change must
be made