slavery, tends thus far to amalgamation. What further step in
reasoning this suggests, it is, fortunately, not needful to inquire;
like all other mysteries of human destiny, this will safely work itself
out. It is not for nothing that the black man thrives in contact with
the white, while the red man dies; and there certainly are practical
anxieties enough to last us for a month or two, without borrowing any
from the remoter future.
_Enoch Arden_, etc. By ALFRED TENNYSON, D.C.L., Poet-Laureate. Boston:
Ticknor & Fields.
In his new volume Tennyson has thrown out some verses, graceful,
defiant, triumphant, and yet a little touched with sadness, in which he
assails the thieves who have stolen his seed of poetry, and made the
flower so common that the people call it--as, indeed, they did when
first it blossomed--a weed. It may be for the reason here indicated that
he has chosen for his later poems a form--that of the Idyl--the
versification, construction, and use of which he has made his own by a
delicate and yet indisputable stamp of sovereignty: whatever may be the
reason, let us be thankful for the choice. He has worked in no field of
whose resources he was more completely master, or which has yielded him
more full and varied development of his rare genius. The work of his
riper years, with the results of his fidelity in discipline, his
generous culture, his catholic and earnest intercourse with men, and his
clear and thoughtful observation lying ready for his use, he has crowned
the green glory of his past with a chaplet that will grow more sure of
permanence with the scrutiny of every succeeding year. In his "Idyls of
the King" we recognized the best moral qualities of many of his previous
works; and in "Enoch Arden," which gives the title to his last volume,
he has turned the full light of his perfected genius on the simple
scenes of domestic joy and sorrow.
We have always deemed it one of the greatest of Tennyson's great and
good qualities, that he is unfaltering in the tribute of honor which he
pays to the sterling virtues and to the beauty and heroism which he
rejoices to point us to in the daily walk of the humblest life. A
blameless character, pure desire, manly ambition, a fervent faith, and a
strong will, resting on the firm innermost foundation of a Christian
spirit, are as real to him in the fisherman as in the peerless prince.
The temptations, the strength, and the temper of the hero are so common
to
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