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The Project Gutenberg eBook, Edward MacDowell, by John F. Porte This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Edward MacDowell Author: John F. Porte Release Date: November 28, 2004 [eBook #14185] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK EDWARD MACDOWELL*** E-text prepared by David Newman, Keith M. Eckrich, and the Project Gutenberg Online Distributed Proofreading Team EDWARD MACDOWELL A Great American Tone Poet, His Life and Music by JOHN F. PORTE Author of _Edward Elgar_, _Sir Charles V. Stanford_, etc. With a Portrait of Edward MacDowell and Musical Illustrations in the Text New York: E.P. Dutton & Company 681 Fifth Avenue 1922 _I do like the works of the American composer MacDowell! What a musician! He is sincere and personal--what a poet--what exquisite harmonies!--Jules Massenet._ _I consider MacDowell the ideally endowed composer.--Edvard Grieg._ [Illustration] FROM MACDOWELL'S COLUMBIA UNIVERSITY LECTURES. (Published as _Critical and Historical Essays_). _For it is in the nature of the spiritual part of mankind to shrink from the earth, to aspire to something higher; a bird soaring in the blue above us has something of the ethereal; we give wings to our angels. On the other hand, a serpent impresses us as something sinister. Trees, with their strange fight against all the laws of gravity, striving upward unceasingly, bring us something of hope and faith; the sight of them cheers us. A land without trees is depressing and gloomy. In spite of the strange twistings of ultra modern music, a simple melody still embodies the same pathos for us that it did for our grandparents. We put our guest, the poetic thought, that comes to us like a homing bird from out the mystery of the blue sky--we put this confiding stranger straightway into that iron bed, the "sonata form," or perhaps even the third rondo form, for we have quite an assortment. Should the idea survive and grow too large for the bed, and if we have learned to love it too much to cut off its feet and thus make it fit (as did that old robber of Attica), why we run the risk of having some cri
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