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unless it forces itself upon him with the insistence of destiny from the outset. While the critics have admitted the freshness, originality and general excellence of MacDowell's work and marveled over his versatility, his shorter piano pieces and songs are as yet most popular in the making of programmes. However, Henry T. Finck says of his sonatas: "As regards the sonatas, I ought to bear MacDowell a decided grudge. After I had written and argued a hundred times that the sonata form was 'played out,' he went to work and wrote four sonatas to confute me. To be sure, I might have my revenge and say they are 'not sonatas'; but they are no more unorthodox than the sonatas of Chopin, Schumann, Liszt and Grieg, though they have a freedom of their own which is captivating. They are brimful of individuality and charm; they will be heard often in the concert halls of the future." The "Sonata Tragica" might have been written of the composer himself, and "The Heroica" could easily have been inspired by his wife, instead of by the Arthur legends, for she is a knightly soul, combining to a most unusual degree the artistic temperament, womanly tenderness and charm, with a chivalrous sort of courage, suggesting Tennyson's lines: "My woman-soldier, gallant Kate, As pure and true as blades of steel." These are busy days for her at Peterboro, where she is daily striving to put the MacDowell ideals into permanent and practical effect. The plan is most appealing and can, perhaps, be better understood by contrast, if a little insight is given into a state of things, the amelioration of which is the purpose of the project. You are invited, then, to step into a neat and attractive modern apartment kitchen, say three years ago. The grocery boy had just left. Everything was there, and of unusually good quality--crisp lettuce, golden oranges, the inevitable loaf of whole wheat bread, the sugar and lemons--and as the housekeeper compared the articles with the grocer's book which she held in her hand, she gave a start. Some one across the way was playing "To a Wild Rose." Yes, it was Wednesday, and a glance at the kitchen clock revealed the fact that in ninety minutes the MacDowell Club would be called to order, and she had promised a poem for the programme. Shades of Sappho! What was to be done? There had been no time in the two weeks since the last meeting, between housekeeping, mending, grinding out of pot-boilers and countless i
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