the
first place. Now what have you got to complain of?"
The Dutchman reflected all over his head with' his forefinger-nail.
"Gomblain? I no gomblain ven it is all right. I zee now I vos made a
mistaken. Coom, dake a drinks."
Jo left the animals standing, and went inside, where they pledged one
another in brimming mugs of beer. Then taking Hans by the hand,
"I am sorry," said he, "we can't trade. Perhaps some other day you
will be more reasonable. Good bye!"
And Joseph departed leading away the donkeys!
Hans stood for some moments gazing after him with a complacent smile
making his fat face ridiculous. Then turning to his mill-stones, he
shook his head with an air of intense self-satisfaction:
"Py donner! Dot Yo Garfey bees a geen, shmard yockey, but he gonnot
spiel me svoppin' yackasses!"
* * * * *
DR. DEADWOOD, I PRESUME.
My name is Shandy, and this is the record of my Sentimental Journey.
Mr. Ames Jordan Gannett, proprietor's son of the "York----," with
which paper I am connected by marriage, sent me a post-card in a
sealed envelope, asking me to call at a well-known restaurant in
Regent Street. I was then at a well-known restaurant in Houndsditch. I
put on my worst and only hat, and went. I found Mr. Gannett, at
dinner, eating pease with his knife, in the manner of his countrymen.
He opened the conversation, characteristically, thus:
"Where's Dr. Deadwood?"
After several ineffectual guesses I had a happy thought. I asked him:
"Am I my brother's bar-keeper?"
Mr. Gannett pondered deeply, with his forefinger alongside his nose.
Finally he replied:
"I give it up."
He continued to eat for some moments in profound silence, as that of a
man very much in earnest. Suddenly he resumed:
"Here is a blank cheque, signed. I will send you all my father's
personal property to-morrow. Take this and find Dr. Deadwood. Find him
actually if you can, but find him. Away!"
I did as requested; that is, I took the cheque. Having supplied myself
with such luxuries as were absolutely necessary, I retired to my
lodgings. Upon my table in the centre of the room were spread some
clean white sheets of foolscap, and sat a bottle of black ink. It was
a good omen: the virgin paper was typical of the unexplored interior
of Africa; the sable ink represented the night of barbarism, or the
hue of barbarians, indifferently.
Now began the most arduous undertaking mentioned i
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