13.-Perhaps it would have been wiser after all if I had packed away
the mirror. I had an extraordinary experience with it last night. And
yet I find it so interesting, so fascinating, that even now I will keep
it in its place. What on earth is the meaning of it all?

I suppose it was about one in the morning, and I was closing my books
preparatory to staggering off to bed, when I saw her there in front of
me. The stage of mistiness and development must have passed unobserved,
and there she was in all her beauty and passion and distress, as
clear-cut as if she were really in the flesh before me. The figure
was small, but very distinct--so much so that every feature, and every
detail of dress, are stamped in my memory. She is seated on the extreme
left of the mirror. A sort of shadowy figure crouches down beside her--I
can dimly discern that it is a man--and then behind them is cloud, in
which I see figures--figures which move. It is not a mere picture upon
which I look. It is a scene in life, an actual episode. She crouches and
quivers. The man beside her cowers down. The vague figures make abrupt
movements and gestures. All my fears were swallowed up in my interest.
It was maddening to see so much and not to see more.

But I can at least describe the woman to the smallest point. She is
very beautiful and quite young--not more than five-and-twenty, I should
judge. Her hair is of a very rich brown, with a warm chestnut shade
fining into gold at the edges. A little flat-pointed cap comes to an
angle in front, and is made of lace edged with pearls. The forehead is
high, too high perhaps for perfect beauty; but one would not have it
otherwise, as it gives a touch of power and strength to what would
otherwise be a softly feminine face. The brows are most delicately
curved over heavy eyelids, and then come those wonderful eyes--so
large, so dark, so full of over-mastering emotion, of rage and horror,
contending with a pride of self-control which holds her from sheer
frenzy! The cheeks are pale, the lips white with agony, the chin and
throat most exquisitely rounded. The figure sits and leans forward in
the chair, straining and rigid, cataleptic with horror. The dress is
black velvet, a jewel gleams like a flame in the breast, and a golden
crucifix smoulders in the shadow of a fold. This is the lady whose image
still lives in the old silver mirror. What dire deed could it be which
has left its impress there, so that now, in an