and fell with
a happy sigh. Somehow it was quite a wonderful day for her.
CHAPTER II. CLOSING THE DOORS
There are many people who, in some subtle psychological way, are very
like their names; as though some one had whispered to "the parents of
this child" the name designed for it from the beginning of time. So it
was with Shiel Crozier. Does not the name suggest a man lean and flat,
sinewy, angular and isolated like a figure in one of El Greco's pictures
in the Prado at Madrid? Does not the name suggest a figure of elongated
humanity with a touch of ancient mysticism and yet also of the
fantastical humour of Don Quixote?
In outward appearance Shiel Crozier, otherwise J. G. Kerry, of Askatoon,
was like his name for the greater part of the time. Take him in
repose, and he looked a lank ascetic who dreamed of a happy land where
flagellation was a joy and pain a panacea. In action, however, as when
Kitty Tynan helped him on with his coat, he was a pure improvisation
of nature. He had a face with a Cromwellian mole, which broke out in
emotion like an April day, with eyes changing from a blue-grey to the
deepest ultramarine that ever delighted the soul and made the reputation
of an Old Master. Even in the prairie town of Askatoon, where every man
is so busy that he scarcely knows his own children when he meets them,
and almost requires an introduction to his wife when the door closes on
them at bedtime, people took a second look at him when he passed. Many
who came in much direct contact with him, as Augustus Burlingame the
lawyer had done, tried to draw from him all there was to tell about
himself; which is a friendly custom of the far West. The native-born
greatly desire to tell about themselves. They wear their hearts on their
sleeves, and are childlike in the frank recitals of all they were and
are and hope to be. This covers up also a good deal of business acumen,
shrewdness, and secretiveness which is not so childlike and bland.
In this they are in sharp contrast to those not native-born. These
come from many places on the earth, and they are seldom garrulously
historical. Some of them go to the prairie country to forget they ever
lived before, and to begin the world again, having been hurt in life
undeservingly; some go to bury their mistakes or worse in pioneer work
and adventure; some flee from a wrath that would devour them--the law,
society, or a woman.
This much must be said at once for Crozier, t
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