en
we passed within the great doors, and it seemed that the riches of the
world were before us! Huge columns carved out of single masses of
marble, and inlaid from top to bottom with a hundred intricate figures
wrought in costly verde antique; pulpits of the same rich materials,
whose draperies hung down in many a pictured fold, the stony fabric
counterfeiting the delicate work of the loom; the grand altar brilliant
with polished facings and balustrades of oriental agate, jasper, verde
antique, and other precious stones, whose names, even, we seldom hear
--and slabs of priceless lapis lazuli lavished every where as recklessly as
if the church had owned a quarry of it. In the midst of all this
magnificence, the solid gold and silver furniture of the altar seemed
cheap and trivial. Even the floors and ceilings cost a princely fortune.
Now, where is the use of allowing all those riches to lie idle, while
half of that community hardly know, from day to day, how they are going
to keep body and soul together? And, where is the wisdom in permitting
hundreds upon hundreds of millions of francs to be locked up in the
useless trumpery of churches all over Italy, and the people ground to
death with taxation to uphold a perishing Government?
As far as I can see, Italy, for fifteen hundred years, has turned all her
energies, all her finances, and all her industry to the building up of a
vast array of wonderful church edifices, and starving half her citizens
to accomplish it. She is to-day one vast museum of magnificence and
misery. All the churches in an ordinary American city put together could
hardly buy the jeweled frippery in one of her hundred cathedrals. And
for every beggar in America, Italy can show a hundred--and rags and
vermin to match. It is the wretchedest, princeliest land on earth.
Look at the grand Duomo of Florence--a vast pile that has been sapping
the purses of her citizens for five hundred years, and is not nearly
finished yet. Like all other men, I fell down and worshipped it, but
when the filthy beggars swarmed around me the contrast was too striking,
too suggestive, and I said, "O, sons of classic Italy, is the spirit of
enterprise, of self-reliance, of noble endeavor, utterly dead within ye?
Curse your indolent worthlessness, why don't you rob your church?"
Three hundred happy, comfortable priests are employed in that Cathedral.
And now that my temper is up, I may as well go on and abuse ever
|