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e river under a log, and the price was sixpence each. We used to pass the tuck-shop at school for three days on end in order that we might possess _Leaping Deer, the Shawnee Spy_. We toadied shamefully to the owner of _Bull's Eye Joe_, who, we understood, had been the sole protection of a frontier state. Again and again have I tried to find one of those early friends, and in many places have I inquired, but my humble companions have disappeared and left no signs, like country children one played with in holiday times. It appears, however, that I have not been the only lover of the trapper stories, nor the only one who has missed his friends, for I received a letter not long ago from a bookman telling me that he had seen my complaint somewhere, and sending me the _Frontier Angel_ on loan strictly that I might have an hour's sinless enjoyment. He also said he was on the track of _Bill Bidden_, another famous trapper, and hoped to send me word that Bill was found, whose original value was sixpence, but for whom this bookman was now prepared to pay gold. One, of course, does not mean that the Indian and trapper stories had the same claim to be literature as the _Pilgrim's Progress_, for, be it said with reverence, there was not much distinction in the style, or art in the narrative, but they were romances, and their subjects suited boys, who are barbarians, and there are moments when we are barbarians again, and above all things these tales bring back the days of long ago. It was later that one fell under the power of two more mature and exacting charmers, Mayne Reid's _Rifle Rangers_ and Dumas' _Monte Christo_. The _Rangers_ has vanished with many another possession of the past, but I still retain in a grateful memory the scene where Rube, the Indian fighter, who is supposed to have perished in a prairie fire and is being mourned by the hero, emerges with much humour from the inside of a buffalo which was lying dead upon the plain, and rails at the idea that he could be wiped out so easily. Whether imagination has been at work or not I do not know, but that is how my memory has it now, and to this day I count that resurrection a piece of most fetching work. Rambling through a bookshop a few months ago I lighted on a copy of _Monte Christo_ and bought it greedily, for there was a railway journey before me. It is a critical experiment to meet a love of early days after the years have come and gone. This stout and
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