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his breast and held him away from her. "Paul, not one word to-night. No extra strain, no excitement. I want you to go to bed, now, at once. I shall be here until after the returns to-morrow night. Then we'll talk. Please, dear," she added softly, at the protest in his eyes. He bent and kissed her fingers. "I don't know how you're here, but it's wonderful," he said, and left her. The next day she scarcely saw him. She spent the time at the telephone or buying extras. All day long she busied herself with this, that, and the other thing, to keep her nerves in order. At seven Paul telephoned that he could not come to dine with her, but that he hoped to be back by ten. She forced herself to go to a nearby theatre to put in the early evening, but the only part of the entertainment that interested her was the election returns announced between the acts. Back at the hotel at ten, but no Paul. She packed her bag, and sent out for two tickets on the midnight train to Boston. At half-past ten he came, worn to a shred. "Well?" she cried, as he stood on the threshold. "We've won, Barbara. It seems to be a landslide." He came and stood before her. "Are you glad?" "Glad? Governor, aren't you?" "I suppose so. It seems unimportant somehow. I want something else so much more." "What?" "You--your love. I want to put my arms around you, I want to put my head down on your hair, and know that you're safe in my heart." "Lock me away there, Governor, that's my home," she whispered, and was in his arms. "Barbara, beloved, you don't want to go away from earth now?" he asked her, after long but pregnant silences. She lifted her head and kissed him gently. "Dear heart," said she with a sigh, "I want to live to be a hundred and ten." THE END End of Project Gutenberg's The Dual Alliance, by Marjorie Benton Cooke *** END OF THIS PROJECT GUTENBERG EBOOK THE DUAL ALLIANCE *** ***** This file should be named 33209.txt or 33209.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/2/0/33209/ Produced by Annie McGuire. This book was produced from scanned images of public domain material from the Google Print archive. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation
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