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concrete things which had been used by the personages he described. There were the chairs they sat on, the beds they slept on, the piano they played on, all as they had been left. It was impossible for me to conceive that there was yet no connection between these things and the old family. The pictures, too, were still there, in the various rooms, some of them in my bed-room. The light of my eyes seemed to have disenchanted these silent staring personages. They came forth and occupied themselves as they had been wont before they became pictures. The chair of the first of the late Mr. Bernard's two wives--that "angel whose look was an eternal smile," as Francis poetically described her--appeared to have the power of drawing her down into it; but then the attraction was not less for the second wife, "whose fate was a terrible mystery;" and thus would I get confused. Then, to which of these did the little dark fellow on the south wall belong--he who seemed to have been scorched by too strong a sun--and the girl beside them, who looked as if she had been blanched by too bright a moon--which of the two was her mother? At last I got out of bed, and rummaged for some stray volume to disenchant me out of the imaginary world of these Bernards. I drew out one or two drawers, which had been so long shut that they had lost their allegiance to the hand. I peered into an escritoire, and another old cabinet, which creaked and groaned at being disturbed by a hand not a Bernard's. All was empty. There was one drawer which refused to come out to the full extent. Something seemed to be jammed between it and the back of the escritoire. Man is an enterprising animal; a little resistance sets his energies a-spring. I would not be baulked. I would know what the impediment was and work out the solution of the difficulty. By pulling hard the obstacle gave way. The drawer followed my hand, while my body fell back on the floor. Psha! some stray leaves of an old pamphlet fluttered about. I had dismembered the obstacle, and would now collect the fragments. I had got for my pains an old brochure, embellished by dreadful woodcuts, of the old Newgate calender style, and entitled, "The true and genuine history of the murderer, Jane Grierson, who poisoned her mistress, and thereby became the wife of her master, Josiah Temple;" the date 1742. I was no fancier of awful histories of murderers, yet I would read myself asleep amidst horrors rather than lie
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