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of the river, extending from the middle of the left side of the triangle to the opposite angle. The part of Rotterdam which lies between the two dykes consists of large canals, islands, and bridges: this is the modern town; the other part, lying beyond the second dyke, is the old town. Two large canals extend along the other two sides of the city up to the vertex, where they join and meet a river called the Rotte, which name, prefixed to the word dam, meaning dyke, gives Rotterdam. When I had thus performed my duty as a conscientious traveller, and had observed a thousand precautions against defiling, even with a breath, the spotless purity of that jewel of a room, I entered my first Dutch bed with the timidity of a country bumpkin. Dutch beds--I am speaking of those to be found in the hotels--are usually short and wide, with an enormous eider-down pillow which would bury the head of a cyclops. In order to omit nothing, I must add that the light is generally a copper candlestick as large as a plate, which might hold a torch, but contains instead a short candle as thin as the little finger of a Spanish lady. In the morning I dressed in haste, and ran rapidly down stairs. What streets, what houses, what a town, what a mixture of novelties for a foreigner,--a scene how different from any to be witnessed elsewhere in Europe! First of all, I saw Hoog-Straat, a long straight roadway running along the inner dyke of the city. Most of the houses are built of unplastered brick, ranging in color through all the shades of red from black to pink. They are only wide enough to give room for two windows, and are but two stories in height. The front walls overtop and conceal the roofs, running up and terminating in blunted triangles surmounted by gables. Some of them have pointed facades, some are elevated in two curves, and resemble a long neck without a head; others are indented step-fashion, like the houses children build with blocks; others look like conical pavilions; others like country churches; others, again, like puppet-shows. These gables are generally outlined with white lines and ornamented in execrable taste; many have coarse arabesques painted in relief on plaster. The windows, and the doors too, are bordered with broad white lines; there are other white lines between the different stories of the houses; the spaces between the house-and shop-doors are filled in with white woodwork; so all along the street whit
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