classic forms taken
place, but the very religion for which the chapel had been built had
been swept away by the Reformation.
The Tudor rose and portcullis frequently repeated within and without
the chapel constantly remind us of the important part Henry VII.
played in the creation of one of the chiefest flowers of the Gothic
order and the architectural triumph of Cambridge.
TRINITY COLLEGE.--Oxford does not possess so large a foundation as
Trinity College, and the spaciousness of the great court impresses the
stranger as something altogether exceptional in collegiate buildings,
but, like the British Constitution, this largest of the colleges only
assumed its present appearance after many changes, including the
disruptive one brought about by Henry VIII. In that masterful manner
of his the destroyer of monasticism, having determined to establish a
new college in Cambridge, dissolved not only King's Hall and Michael
House, two of the earliest foundations, but seven small university
hostels as well. The two old colleges were obliged to surrender their
charters as well as their buildings; the lane separating them was
closed, and then, with considerable revenues obtained from suppressed
monasteries, Henry proceeded to found his great college dedicated to
the Trinity.
There is something in the broad and spacious atmosphere of the Great
Court suggestive of the change from the narrow and cramped thought of
pre-Reformation times to the age when a healthy expansion of ideas was
coming like a fresh breeze upon the mists which had obscured men's
visions. But even as the Reformation did not at once sweep away all
traces of monasticism, so Henry's new college retained for a
considerable time certain of the buildings of the two old foundations
which were afterwards demolished or rebuilt to fit in with the scheme
of a great open court. Thus it was not until the mastership of Thomas
Nevile that King Edward's gate tower was reconstructed in its present
position west of the chapel. On this gate, beneath the somewhat
disfiguring clock, is the statue of Edward III., regarded as a work of
the period of Edward IV.
Shortly before Henry made such drastic changes, King's Hall had been
enlarged and had built itself a fine gateway of red brick with stone
dressings, and this was made the chief entrance to the college. The
upper part and the statue of Henry VIII. on the outer face were added
by Nevile between 1593 and 1615, but otherwise, t
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