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age, nor any action to which they are prompted by nature, seem more indelicate or reprehensible than another. Such are the effects of a total want of culture. Effects not very dissimilar, are, in France and Italy, produced from a redundance of it. Though those are the polite countries in Europe, women there set themselves above shame, and despise delicacy. It is laughed out of existence, as a silly and unfashionable weakness. But in China, one of the politest countries in Asia, and perhaps not even, in this respect, behind France, or Italy, the case is quite otherwise. No human being can be more delicate than a Chinese woman in her dress, in her behavior, and in her conversation; and should she ever happen to be exposed in any unbecoming manner, she feels with the greatest poignancy the awkwardness of her situation, and if possible, covers her face, that she may not be known. In the midst of so many discordant appearances, the mind is perplexed, and can hardly fix upon any cause to which female delicacy is to be ascribed. If we attend, however, to the whole animal creation, if we consider it attentively wherever it falls under our observation, it will discover to us, that in the female there is a greater degree of delicacy or coy reserve than in the male. Is not this a proof, that, through the wide extent of creation, the seeds of delicacy are more liberally bestowed upon females than upon males? In the remotest periods of which we have any historical account, we find that the women had a delicacy to which the other sex were strangers. Rebecca veiled herself when she first approached Isaac, her future husband. Many of the fables of antiquity mark, with the most distinguishing characters, the force of female delicacy. Of this kind is the fable of Actaeon and Diana. Actaeon, a famous hunter, being in the woods with his hounds, beating for game, accidentally spied Diana and her nymphs bathing in a river. Prompted by curiosity, he stole silently into a neighboring thicket, that he might have a nearer view of them. The goddess discovering him, was so affronted at his audacity, and so much ashamed to have been seen naked, that in revenge she immediately transformed him into a stag, set his own hounds upon him, and encouraged them to overtake and devour him. Besides this, and other fables, and historical anecdotes of antiquity, their poets seldom exhibit a female character without adorning it with the graces of modesty
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