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dge by all the colored people of the neighborhood. Pomp glances up, then down the street, advances a few steps, admonishes the young negroes, and exchanges bows with Cato, whom he regards as quite a common brought-up negro compared with himself. Now he disappears, Cato remarking to his companions that if he had Pomp's knowledge and learning he would not thank anybody to make him a white man. Presently there is a stir in the group: all eyes are turned up the road, and the cry is, "Dare da comes." Two carriages approach at a rapid speed, and haul up at the gate, to the evident delight and relief of the younger members of the group, who close in and begin scattering sprigs of laurel and flowers along the path, as two couple, in bridal dress, alight, trip quickly through the garden, and disappear, Pomp bowing them into the parsonage. Tom and Maria are the central figures of the interesting ceremony about to be performed. Old Cato received a warm press of the hand from Tom as he passed, and Cato returned the recognition, with "God bress Mas'r Tom." A shadow of disappointment deepened in his face as he saw the door closed, and it occurred to him that he was not to be a witness of the ceremony. But the door again opened, and Pomp relieved his wounded feelings by motioning with his finger, and, when Cato had reached the porch, bowing him into the house. And now we have reached the last scene in the picture. There, kneeling before the altar in the parlor of that quaint old parsonage, are the happy couple and their companions. The clergyman, in his surplice, reads the touching service in a clear and impressive voice, while Pomp, in a pair of antique spectacles, ejaculates the responses in a voice peculiar to his race. Old Cato, kneeling before a chair near the door, follows with a loud--Amen. There is something supremely simple, touching, and impressive in the picture. As the closing words of the benediction fall from the clergyman's lips, Maria, her pale oval face shadowed with that sweetness and gentleness an innocent heart only can reflect, raises her eyes upwards as if to return thanks to the Giver of all good for his mercy and protection. As she did this a ray of light stole in at the window and played softly over her features, like a messenger of love come to announce a happy future. Just then the cup of her joy became full, and tears, like gems of purest water, glistened in her eyes, then moistened her pallid cheeks. Tru
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