of the purchaser of old
Dolly she might now have become conscious of the fact, that whatever
comes of evil seldom does good. The money she had so struggled to get
together to aid her in maintaining her hypocrisy, was the result of
crime. Perhaps it were better the wretch purloined it, than that the
fair name of a noble institution be stained with its acceptance.
Atonement is too often sought to be purchased with the gold got of
infamy.
The cause of this fainting being traced to Lady Swiggs' pocket book
instead of her heart, the whole scene changes. Sister Slocum becomes as
one dumb, the good fat man is seized with a nervous fit, the man in the
spectacles hangs his head, and runs his fingers through his crispy hair,
as Brother Spyke elongates his lean body, and is seen going into a
melancholy mood, the others gathering round with serious faces. Lady
Swiggs commences describing with great minuteness the appearance of Mr.
Tom Toddleworth. That he is the person who carried off the money, every
one is certain. "He is the man!" responds a dozen voices. And as many
more volunteer to go in search of Mr. Detective Fitzgerald. Brother
Spyke pricks up his courage, and proceeds to initiate his missionary
labors by consulting Mr. Detective Fitzgerald, with whom he starts off
in pursuit of Mr. Tom Toddleworth.
CHAPTER XXIV.
MR. SNIVEL ADVISES GEORGE MULLHOLLAND HOW TO MAKE STRONG LOVE.
Let us leave for a time the pursuit with which we concluded the
foregoing chapter, and return to Charleston. It is the still hour of
midnight. There has been a ball at the fashionable house of the
Flamingo, which still retains its name. In the great parlour we have
before described, standing here and there upon massive tables with
Egyptian marble-tops, are half-empty bottles of wine, decanters,
tumblers, and viands of various descriptions. Bits of artificial flowers
are strewn about the carpet, a shawl is seen thrown over one chair, a
mantle over another; the light is half shut off--everything bears
evidence of the gaieties of luxurious life, the sumptuous revel and the
debauch. The gilded mirrors reflect but two faces, both hectic and moody
of dissipation. George Mullholland and Mr. Snivel face each other, at a
pier-table. Before them are several half filled bottles, from one of
which Mr. Snivel fills George's glass.
"There is something in this champaign (one only gets rubbish in these
houses) that compounds and elevates one's ideas
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