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and between the granite pillars, Caryatides and Hermes, symbols of immobility, gaze at the immutable symmetry of the verdant lawns; and the Villa Medici--like a forest of emerald green spreading away in a fairy tale, and the Villa Ludovici--a little wild--redolent of violets, consecrated by the presence of that Juno adored by Goethe in the days when the plane-trees and the cypresses, that one might well have thought immortal, had already begun to tremble with the foreboding of sale and death--all the patrician villas, the crowning glory of Rome, became well acquainted with their love. The picture and sculpture galleries too--the room in the Borghese where, before Correggio's 'Danae' Elena smiled as at her own reflection; and the Mirror Room, where her image glided among the Cupids of Ciro Ferri and the garlands of Mario de' Fiori; the chamber of Heliodorus, where Raphael has succeeded in making the dull walls throb and palpitate with life; and the apartments of the Borgias, where the great fantasia of Penturicchio unfolds its marvellous web of history, fable, dreams, caprices and audacities; and the Galatea Room, through which is diffused an ineffable freshness, a perennial serenity of light and grace; and the room where the Hermaphrodite, that gentle monster, offspring of the loves of a nymph and a demi-god, extends his ambiguous form amidst the sparkle of polished stone--all these unfrequented abodes of Beauty were well acquainted with them. They echoed fervently the sublime cry of the poet--_Eine Welt zwar bist du, O Rom!_ Thou art a world in thyself, oh Rome! But as without love the world would not be the world, so Rome without love would not be Rome, and the stairway of the Trinita, glorified by the slow ascension of the Day, became the Stairway of Felicity by the ascent of Elena the Fair on her way to the Palazzo Zuccari. 'At times,' Elena said to him, 'my feeling for you is so delicate, so profound, that it becomes--how shall I describe it?--maternal almost!' Andrea laughed, for she was his senior by barely three years. 'And at times,' he rejoined, 'I feel the communion of our spirits to be so chaste that I could call you sister while I kiss your hands.' These fallacious ideas of purity and loftiness of sentiment were but the reaction after more carnal delights, when the soul experiences a vague yearning for the ideal. At such times too, the young man's aspirations towards the art he so much loved were a
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