Figure.

A representation of a painter's studio. Scattered about the room are
works of art, fine paintings, portraits, statuary, vases of ancient
form, and flowers. A guitar and flute hang from the wall, and at the
left of the stage is a large picture, with a crimson curtain partially
drawn across it. The painter's easel stands at the right of the stage;
on it is an unfinished portrait of a lady. A small table, sofa, and
three ancient chairs complete the furniture of the room. The artist is
seated in one of the chairs, engaged in painting the lady's portrait.
The lady is seated in a chair in the centre of the stage, her feet
resting on a small cushion, right elbow placed on the table which is
by her side, and eyes fixed on a book which she holds in her left
hand. A few showy bound books and a small bust may be placed on the
table. The lady's costume consists of a pink or blue silk dress, cut
low at the neck, sleeves of usual length, hair done up to suit the
performer's taste. Her position is, facing the audience. The artist's
costume consists of a rich dressing gown, a red velvet cap with a gold
tassel, light pants and vest. His position is such that a side view is
had of the features, the left hand holding a pallet and brushes, the
right grasping a small brush, which he is in the act of using. His
eyes are fixed on the picture, countenance expressing earnestness.
Illuminate the background of the scene with a small quantity of red
fire, the foreground with light of medium brilliancy, both of which
should come from the right side of the stage. Music soft and
plaintive.

PORTRAIT OF GABRIELLE.

There's nothing ill can dwell in such a temple:
If the ill spirit have so fair a house,
Good things will strive to dwell with 't.

TEMPEST.

One Female Figure.

This tableau is suggested by the beautiful picture by De la Roche, one
of the most eminent of French painters. The best portrait of Napoleon
I. was painted by this artist. The subject of the painter is
Gabrielle. The person who represents this portrait should have fine
Grecian features, small figure, and hair that will curl profusely. The
costume consists of a pink brocade cut low at the top, open in the
form of a square in front, and trimmed with white lace and black
velvet. The hair must be parted in the centre of the forehead, puffed
out at the side, and arranged in short curls in the neck. A band of
velvet one inch wide in the mid