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ensure Philip's constant mouthing of the pipe. I, too, smoke, and I am not foolish enough to risk my standing with Philip by preaching where I do not practise. Besides, I observe that the boy does not inhale, that his pipe goes out frequently, and that his consumption of matches is much greater than his consumption of tobacco. So I say nothing in reproof of his pipe. But it is different with his language. Philip, I observe regretfully, is profane. I am not mealy-mouthed myself. There are moments of high emotional tension when silence is the worst form of blasphemy. But Philip is profane without discrimination. His supply of unobjectionable adjectives would be insufficient to meet the needs of the ordinary kindergarten conversation. He uses the same swift epithet to describe certain brands of tobacco, the weather on commencement day, the food at his eating-house, his professors of French and of mathematics, the spirit of the incoming freshman class, and the outlook for "snap" courses during the coming year. It is not my moral but my aesthetic sense that takes offence, so I ask Philip whether it is the intensity of his feelings that makes it impossible for him to discuss his work or his play without continual reference to the process of perdition and the realm of lost souls; or whether it is habit. No sooner have I put my question than I am sorry. There is nothing the young soul is so afraid of as of satire. It can understand being petted and it can understand being whipped; but the sting behind the smile, the lash beneath the caress, throws the young soul into helpless panic. It feels itself baited and knows not whither it may flee. I have always thought that the worst type of bully is the teacher in school or in college who indulges a pretty talent for satire at the expense of his pupils. It is a cowardly and a demoralising practice. It means not only hitting some one who is powerless to retort, it means confusing the sense of truth in the adolescent mind. Here is some one quite grown up who smiles and means to hurt you, who says good and means bad, who says yes and means no. The young soul stares at you and sees the standards of the universe in chaos about itself. And I feel all the more guilty in Philip's case because I know that the lad speaks only a mechanical lingo which goes with his bull-dog pipe and the aggressive shade of his neckwear and his socks. The very pain and alarm my question raises in him shows w
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