lost.
The Louvre panel No. 1272, ascribed to Paolo Ucello, shows the
painter, Manetti, Brunellesco, and Donatello. Monuments have been
recently erected to the sculptor in his native city. For Donatello's
homes in Florence, see "Misc. Fiorentina," vol. i. No. 4, 1886, p. 60,
and "Miscellanea d'arte," No. 3, 1903, p. 49.]

APPENDICES

APPENDIX I

WORK LOST OR NOT EXECUTED

_Padua._--For the Santo altar, a figure of God the Father, stone; a
Deposition and the remaining bas-reliefs mentioned in the "Anonimo
Morelliano;" a St. Sebastian, wood; a Madonna in the church of the
Servi.

_Ferrara._--Donatello probably worked there; in 1451 he visited the
town as an assessor. Gualandi, iv. 35.

_Modena._--Donatello also visited this town in 1451, and received a
first instalment towards the equestrian statue of Borso d'Este.
Campori, "Gli artisti Italiani." Modena, 1855, p. 185.

For _Mantua_ he made a large number of works, including columns,
capitals, images of the Madonna in stone and terra-cotta, a St. Andrew
in tufo, &c.; also the design for a shrine of St. Anselm. See
documents in Archivio Storico Lombardo, 1886, p. 666. At _Rome_ a St.
John Baptist, "Una testa" in the Minerva Church, and the portrait of
Canon Morosini in Santa Maria Maggiore.

At _Siena_ a Goliath, a silver crucifix, gates for the Cathedral, and
a marble statue of San Bernardino.

At _Ancona_ and _Orvieto_ statues of St. John the Baptist.

At _Florence_ the following works are lost: the Dovizia, a figure of
Plenty, which stood in the Mercato Vecchio; two bronze heads for the
Cantoria; the Colossi for the Cathedral; four large stucco Saints in
San Lorenzo; a statue with drapery of gilded lead made with
Brunellesco. San Rossore for Ogni Santi; a reliquary of Santa Verdiana
(Richa, ii. 231); Albizzi tombs. The Cathedral gates were never made.
Bocchi, Cinelli, Vasari, and Borghini mention a large number of
smaller works now unidentified; plaquettes, Madonnas, crucifixes,
heraldic shields, busts and reliefs.

APPENDIX II

DOCUMENTS

These are printed as specimens of the original authorities upon which
our authentic knowledge of Donatello is based.

A.

Denunzia de' Beni of 1427, stating Donatello's home, his substance,
his partnership with Michelozzo; referring also to the bronze relief
for the Siena Font and the figure of San Rossore. Also a list of the
sculptor's family. (Gaye, i. 120.)

Donato di nicholo di betto,