FREE BOOKS

Author's List




PREV.   NEXT  
|<   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98  
99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   >>   >|  
ing quatrain--incomparable in its peculiar melody and mystery except with other lyrics of Shakespeare's or of Shelley's, it must, I think, be admitted that an impartial student of both effusions will assign to Marston rather than to Shakespeare the palm of distinction on the score of tortuous obscurity and enigmatic verbiage. It may be--as it seems to me--equally difficult to make sense of the greater and the lesser poet's riddles and rhapsodies; but on the whole I cannot think that Shakespeare's will be found so desperately indigestible by the ordinary intelligence of manhood as Marston's. "The turtles fell to work, and ate each other up," in a far more comprehensible and reasonable poem of Hood's; and most readers of Chester's poem and the verses appended to it will be inclined to think that it might have been as well--except for a few lines of Shakespeare's and of Jonson's which we could not willingly spare--if the Phoenix and Turtle had set them the example. If the apparently apocryphal Mountebank's Masque be really the work of Marston--and it is both coarse enough and clever enough to deserve the attribution of his authorship--there is a singular echo in it from the opening of Jonson's "Poetaster," the furious dramatic satire which blasted for upward of two centuries the fame or the credit of the poet to whose hand this masque has been hitherto assigned. In it, after a full allowance of rough and ribald jocosity, the presence of a poet becomes manifest with the entrance of an allegoric figure whose declamatory address begins with these words: Light, I salute thee; I, Obscurity, The son of Darkness and forgetful Lethe; I, that envy thy brightness, greet thee now, Enforced by Fate. Few readers of these lines will forget the verses with which Envy plays prologue to "Poetaster; or, his Arraignment": Light, I salute thee, but with wounded nerves, Wishing thy golden splendor pitchy darkness. Whoever may be the author of this masque, there are two or three couplets well worth remembrance in one of the two versions of its text: It is a life is never ill To lie and sleep in roses still. * * * * * Who would not hear the nightingale still sing, Or who grew ever weary of the spring? The day must have her night, the spring her fall, All is divided, none is lord of all. These verses are worthy of a place in any one of Mr. Bullen's beautiful
PREV.   NEXT  
|<   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98  
99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   >>   >|  



Top keywords:

Shakespeare

 

verses

 

Marston

 

readers

 

Jonson

 

masque

 

salute

 

Poetaster

 
spring
 

peculiar


Enforced

 

brightness

 
forget
 
Wishing
 

nerves

 

golden

 

splendor

 

pitchy

 

wounded

 

Arraignment


prologue
 

Darkness

 

presence

 
manifest
 

entrance

 

jocosity

 

ribald

 

allowance

 

allegoric

 

figure


Obscurity

 

darkness

 

forgetful

 
admitted
 

declamatory

 
address
 

begins

 
Shelley
 
lyrics
 

divided


Bullen
 

beautiful

 
worthy
 

nightingale

 

remembrance

 

melody

 

versions

 

couplets

 
author
 

mystery