his powers. Four pictures of his are shown here: a little Italian
child, painted with great love and sweetness, two street scenes in Cairo
full of rich Oriental colouring, and a wonderful work called the
Afterglow in Egypt. It represents a tall swarthy Egyptian woman, in a
robe of dark and light blue, carrying a green jar on her shoulder, and a
sheaf of grain on her head; around her comes fluttering a flock of
beautiful doves of all colours, eager to be fed. Behind is a wide flat
river, and across the river a stretch of ripe corn, through which a gaunt
camel is being driven; the sun has set, and from the west comes a great
wave of red light like wine poured out on the land, yet not crimson, as
we see the Afterglow in Northern Europe, but a rich pink like that of a
rose. As a study of colour it is superb, but it is difficult to feel a
human interest in this Egyptian peasant.

Mr. Albert Moore sends some of his usual pictures of women, which as
studies of drapery and colour effects are very charming. One of them, a
tall maiden, in a robe of light blue clasped at the neck with a glowing
sapphire, and with an orange headdress, is a very good example of the
highest decorative art, and a perfect delight in colour.

Mr. Spencer Stanhope's picture of Eve Tempted is one of the remarkable
pictures of the Gallery. Eve, a fair woman, of surpassing loveliness, is
leaning against a bank of violets, underneath the apple tree; naked,
except for the rich thick folds of gilded hair which sweep down from her
head like the bright rain in which Zeus came to Danae. The head is
drooped a little forward as a flower droops when the dew has fallen
heavily, and her eyes are dimmed with the haze that comes in moments of
doubtful thought. One arm falls idly by her side; the other is raised
high over her head among the branches, her delicate fingers just meeting
round one of the burnished apples that glow amidst the leaves like
'golden lamps in a green night.' An amethyst-coloured serpent, with a
devilish human head, is twisting round the trunk of the tree and breathes
into the woman's ear a blue flame of evil counsel. At the feet of Eve
bright flowers are growing, tulips, narcissi, lilies, and anemones, all
painted with a loving patience that reminds us of the older Florentine
masters; after whose example, too, Mr. Stanhope has used gilding for
Eve's hair and for the bright fruits.

Next to it is another picture by the same artist, entit