an architect, on the strength of his having written the
"Buildings."

Procopius, holding a position in a period of transition between
classical Greek and Byzantine literature, is the first and most
talented of Byzantine historians. His writings are characterized by an
energetic combination of the Attic models of the affected, but often
picturesque style employed by the Byzantine writers. Although he is
not free from errors of taste, he expresses his ideas with great
vigour, and his thoughts are often worthy of a better age. The
information which he has given us is exceedingly valuable. He had
ample opportunities of observation, and his works present us with the
best picture of the reign of Justinian, so important in Greco-Roman
annals.

His chief work is the "Histories," in eight books: two on the Persian
wars (408-553), two on the Vandal wars (395-545), and four[3] on the
Gothic wars, bringing down the narrative to the beginning of 559. The
whole work is very interesting; the descriptions are excellent: in the
matter of ethnographical details, Procopius may be said to be without
a rival among ancient historians.

He shews equal descriptive talent in his work on the "Buildings" of
Justinian, a curious and useful work, but spoiled by excessive
adulation of the Emperor. Gibbon is of opinion that it was written
with the object of conciliating Justinian, who had been dissatisfied
with the too independent judgment of the "Histories." If this be the
case, we can understand why the historian avenged himself in the
"Secret History," which is a veritable _chronique scandaleuse_ of the
Byzantine Court from 549-562. Justinian and Theodora, Belisarius and
his wife Antonina, are painted in the blackest colours. Belisarius,
who is treated with the least severity, is nevertheless represented as
weak and avaricious, capable of any meanness in order to retain the
favour of the Court and his military commands, which afforded him the
opportunity of amassing enormous wealth. As for Antonina and Theodora,
the revelations of the "Secret History" exhibit a mixture of crime and
debauchery not less hideous than that displayed by Messalina.
Justinian is represented as a monstrous tyrant, at once cunning and
stupid, "like an ass," in the the words of the historian, and as the
wickedest man that ever lived. The author declares that he and his
wife are spirits or demons, who have assumed the form of human beings
in order to inflict the greates