reatises
are generally meagre in their instructions, from the difficulty of
punching text illustrations. The article on _accentuation_ is, we are
told, the first successful attempt in any elementary work on the Flute,
to define this important subject. It is written in a lucid and popular
style, and is so attractive, that did our room allow, we might be
induced to insert part of it. Appended to the treatise are thirty pages
of Duettinos and Exercises, and altogether the work, (of which the
present is Part I.,) is well worth the attention of such as study
Flute-playing, which, as Mr. L. observes, is "one of those elegant and
delightful recreations, which constitutes, at once, the grace and the
solace of domestic life."
* * * * *
The sweetest flowers their odours shed
In silence and alone;
And Wisdom's hidden fount is fed
By minds to fame unknown.
_Bernard Barton._
* * * * *
CHANGES OF INSECTS.
Insects are strikingly distinguished from other animals, by a succession
of changes in their organization and forms, and by their incapacity of
propagating before their last metamorphosis, which, in most of them,
takes place shortly before their death. Each of these transformations is
designated by so many terms, that it may not be useless to observe to
the reader, who has not previously paid attention to the subject, that
_larva, caterpillar, grub, maggot_, or _worm_, is the first state of
the insect on issuing from the egg; that _pupa, aurelia, chrysalis_, or
_nympha_ are the names by which the second metamorphosis is designated,
and that the last stage, when the insect assumes the appearance of a
butterfly, is called the _perfect state_.--_North American Review._
* * * * *
"LITTLE SONGS FOR LITTLE SINGERS."
The little folks will soon have a microcosm--a world of their own. The
other day we noticed the "Boy's _Own_ Book," and the girls are promised
a match volume: children, too, have their own _camerae obscurae_; there
are the Cosmoramas at the Bazaar, as great in their way as Mr. Hornor's
Panorama at the Colosseum; besides half a dozen Juvenile Annuals, in
which all the literary children of larger growth write. At our theatres,
operas are sung by children, and the pantomimes are full of juvenile
fun. In short, every thing can be had adapted to all ages; till we begin
to think it is once a world
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