espair at the idea of
exhibiting himself with her in such a scandalous place, she became all
the merrier: "Well, my dear fellow, please yourself. I don't need you.
You and Gerard can go home if you like. But I'm going to Montmartre with
Duthil. You'll take charge of me, won't you, Duthil, eh?"

Still, the Baron was in no wise disposed to let the evening finish in
that fashion. The mere idea of it gave him a shock, and he had to resign
himself to the girl's stubborn caprice. The only consolation he could
think of was to secure Gerard's presence, for the young man, with some
lingering sense of decorum, still obstinately refused to make one of the
party. So the Baron took his hands and detained him, repeating in urgent
tones that he begged him to come as an essential mark of friendship. And
at last the wife's lover and daughter's suitor had to give way to the man
who was the former's husband and the latter's father.

Silviane was immensely amused by it all, and, indiscreetly thee-ing and
thou-ing Gerard, suggested that he at least owed the Baron some little
compliance with his wishes.

Duvillard pretended not to hear her. He was listening to Duthil, who told
him that there was a sort of box in a corner of the Chamber of Horrors,
in which one could in some measure conceal oneself. And then, as
Silviane's carriage--a large closed landau, whose coachman, a sturdy,
handsome fellow, sat waiting impassively on his box--was down below, they
started off.

The Chamber of Horrors was installed in premises on the Boulevard de
Rochechouart, formerly occupied by a cafe whose proprietor had become
bankrupt.* It was a suffocating place, narrow, irregular, with all sorts
of twists, turns, and secluded nooks, and a low and smoky ceiling. And
nothing could have been more rudimentary than its decorations. The walls
had simply been placarded with posters of violent hues, some of the
crudest character, showing the barest of female figures. Behind a piano
at one end there was a little platform reached by a curtained doorway.
For the rest, one simply found a number of bare wooden forms set
alongside the veriest pot-house tables, on which the glasses containing
various beverages left round and sticky marks. There was no luxury, no
artistic feature, no cleanliness even. Globeless gas burners flared
freely, heating a dense mist compounded of tobacco smoke and human
breath. Perspiring, apoplectical faces could be perceived through this
veil, and