ned for some time silent. At
last he explained that he had another idea. He was slightly acquainted
with the Pope's confessor, a Franciscan father, a man of great
simplicity, to whom he might recommend Pierre. This Franciscan, despite
his self-effacement, would perhaps prove of service to him. At all events
he might be tried. Then, once more, silence fell, and Pierre, whose
dreamy eyes were turned towards the wall, ended by distinguishing the old
picture which had touched him so deeply on the day of his arrival. In the
pale glow of the lamp it gradually showed forth and lived, like an
incarnation of his own case, his own futile despair before the sternly
closed portal of truth and justice. Ah! that outcast woman, that stubborn
victim of love, weeping amidst her streaming hair, her visage hidden
whilst with pain and grief she sank upon the steps of that palace whose
door was so pitilessly shut--how she resembled him! Draped with a mere
strip of linen, she was shivering, and amidst the overpowering distress
of her abandonment she did not reveal her secret, misfortune, or
transgression, whichever it might be. But he, behind her close-pressed
hands, endowed her with a face akin to his own: she became his sister, as
were all the poor creatures without roof or certainty who weep because
they are naked and alone, and wear out their strength in seeking to force
the wicked thresholds of men. He could never gaze at her without pitying
her, and it stirred him so much that evening to find her ever so unknown,
nameless and visageless, yet steeped in the most bitter tears, that he
suddenly began to question his companion.

"Tell me," said he, "do you know who painted that old picture? It stirs
me to the soul like a masterpiece."

Stupefied by this unexpected question, the secretary raised his head and
looked, feeling yet more astonished when he had examined the blackened,
forsaken panel in its sorry frame.

"Where did it come from?" resumed Pierre; "why has it been stowed away in
this room?"

"Oh!" replied Don Vigilio, with a gesture of indifference, "it's nothing.
There are heaps of valueless old paintings everywhere. That one, no
doubt, has always been here. But I don't know; I never noticed it
before."

Whilst speaking he had at last risen to his feet, and this simple action
had brought on such a fit of shivering that he could scarcely take leave,
so violently did his teeth chatter with fever. "No, no, don't show me
out," he