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ent of all men. He was in the highest sense successful. He lived like a prince, became one of the powers of Europe, and in him, for the first time, literature was crowned. Voltaire, in spite of his surroundings, in spite of almost universal tyranny and oppression, was a believer in God and in what he was pleased to call the religion of nature. He attacked the creed of his time because it was dishonorable to his God. He thought of the Deity as a father, as the fountain of justice, intelligence and mercy, and the creed of the Catholic church made him a monster of cruelty and stupidity. He attacked the bible with all the weapons at his command. He assailed its geology, its astronomy, its idea of justice, its laws and customs, its absurd and useless miracles, its foolish wonders, its ignorance on all subjects, its insane prophecies, its cruel threats, and its extravagant promises. At the same time he praised the God of nature, the God who gives us rain and light, and food and flowers, and health and happiness--he who fills the world with youth and beauty. In 1755 came the earthquake at Lisbon. This frightful disaster became an immense interrogation. The optimist was compelled to ask, "What was my God doing? Why did the Universal Father crush to shapelessness thousands of his poor children, even at the moment when they were upon their knees returning thanks to Him?" What could be done with this horror? If earthquake there must be, why did it not occur in some uninhabited desert on some wide waste of sea? This frightful fact changed the theology of Voltaire. He became convinced that this is not the best possible of all worlds. He became convinced that evil is evil here, now and forever. Who can establish the existence of an infinite being? It is beyond the conception--the reason--the imagination of man--probably or possibly--where the zenith and nadir meet this God can be found. Voltaire, attacked on every side, fought with every weapon that wit, logic, reason, scorn, contempt, laughter, pathos and indignation could sharpen, form, devise or use. He often apologized, and the apology was an insult. He often recanted, and the recantation was a thousand times worse than the thing recanted. He took it back by giving more. In the name of eulogy he flayed his victim. In his praise there was poison. He often advanced by retreating, and asserted by retraction. He did not intend to give priests the satisfaction
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