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e, or rather as he didn't compare her. There was no comparison. II Mr. Moonlight Quill, mysterious, exotic, and oriental in temperament was, nevertheless, a man of decision. And it was with decision that he approached the problem of his wrecked shop. Unless he should make an outlay equal to the original cost of his entire stock--a step which for certain private reasons he did not wish to take--it would be impossible for him to continue in business with the Moonlight Quill as before. There was but one thing to do. He promptly turned his establishment from an up-to-the-minute book-store into a second-hand bookshop. The damaged books were marked down from twenty-five to fifty per cent, the name over the door whose serpentine embroidery had once shone so insolently bright, was allowed to grow dim and take on the indescribably vague color of old paint, and, having a strong penchant for ceremonial, the proprietor even went so far as to buy two skull-caps of shoddy red felt, one for himself and one for his clerk, Merlin Grainger. Moreover, he let his goatee grow until it resembled the tail-feathers of an ancient sparrow and substituted for a once dapper business suit a reverence-inspiring affair of shiny alpaca. In fact, within a year after Caroline's catastrophic visit to the bookshop the only thing in it that preserved any semblance of being up to date was Miss Masters. Miss McCracken had followed in the footsteps of Mr. Moonlight Quill and become an intolerable dowd. For Merlin too, from a feeling compounded of loyalty and listlessness, had let his exterior take on the semblance of a deserted garden. He accepted the red felt skull-cap as a symbol of his decay. Always a young man known, as a "pusher," he had been, since the day of his graduation from the manual training department of a New York High School, an inveterate brusher of clothes, hair, teeth, and even eyebrows, and had learned the value of laying all his clean socks toe upon toe and heel upon heel in a certain drawer of his bureau, which would be known as the sock drawer. These things, he felt, had won him his place in the greatest splendor of the Moonlight Quill. It was due to them that he was not still making "chests useful for keeping things," as he was taught with breathless practicality in High School, and selling them to whoever had use of such chests--possibly undertakers. Nevertheless when the progressive Moonlight Quill became the retrogressi
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