he
two years' imprisonment had been taught Latin and the rudiments of law by
his master, so that he subsequently rose to be a thriving and respectable
advocate at the tribunals of Holland.

The Stadholder, when informed of the escape of the prisoner, observed, "I
always thought the black pig was deceiving me," making not very
complimentary allusion to the complexion and size of the lady who had
thus aided the escape of her husband.

He is also reported as saying that it "is no wonder they could not keep
Grotius in prison, as he has more wit than all his judges put together."

CHAPTER XXIII.

Barneveld's Sons plot against Maurice--The Conspiracy betrayed to
Maurice--Escape of Stoutenburg--Groeneveld is arrested--Mary of
Barneveld appeals to the Stadholder--Groeneveld condemned to Death--
Execution of Groeneveld.

The widow of Barneveld had remained, since the last scene of the fatal
tragedy on the Binnenhof, in hopeless desolation. The wife of the man who
during a whole generation of mankind had stood foremost among the
foremost of the world, and had been one of those chief actors and
directors in human affairs to whom men's eyes turned instinctively from
near and from afar, had led a life of unbroken prosperity. An heiress in
her own right, Maria van Utrecht had laid the foundation of her husband's
wealth by her union with the rising young lawyer and statesman. Her two
sons and two daughters had grown up around her, all four being married
into the leading families of the land, and with apparently long lives of
prosperity and usefulness before them. And now the headsman's sword had
shivered all this grandeur and happiness at a blow. The name of the dead
statesman had become a word of scoffing and reproach; vagabond
mountebanks enacted ribald scenes to his dishonour in the public squares
and streets; ballad-mongers yelled blasphemous libels upon him in the
very ears of his widow and children. For party hatred was not yet glutted
with the blood it had drunk.

It would be idle to paint the misery of this brokenhearted woman.

The great painters of the epoch have preserved her face to posterity; the
grief-stricken face of a hard-featured but commanding and not uncomely
woman, the fountains of whose tears seem exhausted; a face of austere and
noble despair. A decorous veil should be thrown over the form of that
aged matron, for whose long life and prosperity Fate took such merciless
vengeance at last