alf dead
with fright, she who does comprehend all these things.
It seems to be outside; it is coming from the garden; with trembling hand
she indicates to me that it will come through the veranda, over Madame
Prune's roof. Certainly, I hear faint noises, and they do approach us.
I suggest to her
"Neko-San?" ("It is Messieurs the cats?")
"No!" she replies, still terrified, and in an alarmed tone.
"Bakemono-Sama?" ("Is it my lords the ghosts?") I have already the
Japanese habit of expressing myself with excessive politeness.
"No! 'Dorobo'!" ("Thieves!")
Thieves! Ah! this is better; I much prefer this to a visit such as I have
just been dreading in the sudden awakening from sleep: from ghosts or
spirits of the dead; thieves, that is to say, worthy fellows very much
alive, and having, undoubtedly, inasmuch as they are Japanese thieves,
faces of the most meritorious oddity. I am not in the least frightened,
now that I know precisely what to expect, and we will immediately set to
work to ascertain the truth, for something is certainly moving on Madame
Prune's roof; some one is walking upon it.
I open one of our wooden panels and look out.
I can see only a vast expanse, calm, peaceful, and exquisite under the
full brilliance of the moonlight; sleeping Japan, lulled by the sonorous
song of the grasshoppers, is charming indeed to-night, and the free, pure
air is delicious.
Chrysantheme, half hidden behind my shoulder, listens tremblingly,
peering forward to examine the gardens and the roofs with dilated eyes
like a frightened cat. No, nothing! not a thing moves. Here and there are
a few strangely substantial shadows, which at first glance were not easy
to explain, but which turn out to be real shadows, thrown by bits of
wall, by boughs of trees, and which preserve an extremely reassuring
stillness. Everything seems absolutely tranquil, and profound silence
reigns in the dreamy vagueness which moonlight sheds over all.
Nothing; nothing to be seen anywhere. It was Messieurs the cats after
all, or perhaps my ladies the owls; sounds increase in volume in the most
amazing manner at night, in this house of ours.
Let us close the panel again carefully, as a measure of prudence, and
then light a lantern and go downstairs to see whether there may be any
one hidden in corners, and whether the doors are tightly shut; in short,
to reassure Chrysantheme we will go the round of the house.
Behold us, then, on tiptoe
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