rench Academy

CHARLES DE BERNARD

PIERRE-MARIE-CHARLES DE BERNARD DU GRAIL DE LA VILLETTE, better known by
the name of Charles de Bernard, was born in Besancon, February 24, 1804.
He came from a very ancient family of the Vivarais, was educated at the
college of his native city, and studied for the law in Dijon and at
Paris. He was awarded a prize by the 'Jeux floraux' for his dithyrambics,
'Une fete de Neron' in 1829. This first success in literature did not
prevent him aspiring to the Magistrature, when the Revolution of 1830
broke out and induced him to enter politics. He became one of the
founders of the 'Gazette de Franche-Comte' and an article in the pages of
this journal about 'Peau de chagrin' earned him the thanks and the
friendship of Balzac.

The latter induced him to take up his domicile in Paris and initiated him
into the art of novel-writing. Bernard had published a volume of odes:
'Plus Deuil que Joie' (1838), which was not much noticed, but a series of
stories in the same year gained him the reputation of a genial 'conteur'.
They were collected under the title 'Le Noeud Gordien', and one of the
tales, 'Une Aventure du Magistrat, was adapted by Sardou for his comedy
'Pommes du voisin'. 'Gerfaut', his greatest work, crowned by the Academy,
appeared also in 1838, then followed 'Le Paravent', another collection of
novels (1839); 'Les Ailes d'Icare (1840); La Peau du Lion and La Chasse
aux Amants (1841); L'Ecueil (1842); Un Beau-pere (1845); and finally Le
Gentilhomme campagnard,' in 1847. Bernard died, only forty-eight years
old, March 6, 1850.

Charles de Bernard was a realist, a pupil of Balzac. He surpasses his
master, nevertheless, in energy and limpidity of composition. His style
is elegant and cultured. His genius is most fully represented in a score
or so of delightful tales rarely exceeding some sixty or seventy pages in
length, but perfect in proportion, full of invention and originality, and
saturated with the purest and pleasantest essence of the spirit which for
six centuries in tableaux, farces, tales in prose and verse, comedies and
correspondence, made French literature the delight and recreation of
Europe. 'Gerfaut' is considered De Bernard's greatest work. The plot
turns on an attachment between a married woman and the hero of the story.
The book has nothing that can justly offend, the incomparable sketches of
Marillac and Mademoiselle de Corandeuil are admirable; Gerfaut and
Berg