a simple, tender heart,
preserved beneath the science of the law like a grape in sawdust. Now he
would smile as I sang Jeanne's praises; now he would sit and listen to my
objections with a truculent air, tightening his lips till they broke
forth in vehement denial. "What! You dare to say! Young man, what are you
afraid of?" His overflowing kindness discharged itself in the sincerest
and most solemn asseverations.
We had left Juan Fernandez far behind us; we were both far away in that
Utopia where mind penetrates mind, heart understands heart. We heard
neither the squeaking of a swing beneath us, nor the shouts of laughter
along the promenades, nor the sound of a band tuning up in a neighboring
pavilion. Our eyes, raised to heaven, failed to see the night descending
upon us, vast and silent, piercing the foliage with its first stars. Now
and again a warm breath passed over us, blown from the woods; I tasted
its strangely sweet perfume; I saw in glimpses the flying vision of a
huge dark tulip, striped with gold, unfolding its petals on the moist
bank of a dyke, and I asked myself whether a mysterious flower had really
opened in the night, or whether it was but a new feeling, slowly budding,
unfolding, blossoming within my heart.
CHAPTER XVII
PLEASURES OF EAVESDROPPING
July 22d.
At two o'clock to-day I went to see Sylvestre, to tell him all the great
events of yesterday. We sat down on the old covered sofa in the shadow of
the movable curtain which divides the studio, as it were, into two rooms,
among the lay figures, busts, varnish-bottles, and paint-boxes. Lampron
likes this chiaroscuro. It rests his eyes.
Some one knocked at the door.
"Stay where you are," said Sylvestre; "it's a customer come for the
background of an engraving. I'll be with you in two minutes. Come in!" As
he was speaking he drew the curtain in front of me, and through the thin
stuff I could see him going toward the door, which had just opened.
"Monsieur Lampron?"
"I am he, Monsieur."
"You don't recognize me, Monsieur?"
"No, Monsieur."
"I'm surprised at that."
"Why so? I have never seen you."
"You have taken my portrait!"
"Really!"
I was watching Lampron, who was plainly angered at this brusque
introduction. He left the chair which he had begun to push forward, let
it stand in the middle of the studio, and went and sat down on his
engraving-stool in the corner, with a somewhat haughty l
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