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a simple, tender heart, preserved beneath the science of the law like a grape in sawdust. Now he would smile as I sang Jeanne's praises; now he would sit and listen to my objections with a truculent air, tightening his lips till they broke forth in vehement denial. "What! You dare to say! Young man, what are you afraid of?" His overflowing kindness discharged itself in the sincerest and most solemn asseverations. We had left Juan Fernandez far behind us; we were both far away in that Utopia where mind penetrates mind, heart understands heart. We heard neither the squeaking of a swing beneath us, nor the shouts of laughter along the promenades, nor the sound of a band tuning up in a neighboring pavilion. Our eyes, raised to heaven, failed to see the night descending upon us, vast and silent, piercing the foliage with its first stars. Now and again a warm breath passed over us, blown from the woods; I tasted its strangely sweet perfume; I saw in glimpses the flying vision of a huge dark tulip, striped with gold, unfolding its petals on the moist bank of a dyke, and I asked myself whether a mysterious flower had really opened in the night, or whether it was but a new feeling, slowly budding, unfolding, blossoming within my heart. CHAPTER XVII PLEASURES OF EAVESDROPPING July 22d. At two o'clock to-day I went to see Sylvestre, to tell him all the great events of yesterday. We sat down on the old covered sofa in the shadow of the movable curtain which divides the studio, as it were, into two rooms, among the lay figures, busts, varnish-bottles, and paint-boxes. Lampron likes this chiaroscuro. It rests his eyes. Some one knocked at the door. "Stay where you are," said Sylvestre; "it's a customer come for the background of an engraving. I'll be with you in two minutes. Come in!" As he was speaking he drew the curtain in front of me, and through the thin stuff I could see him going toward the door, which had just opened. "Monsieur Lampron?" "I am he, Monsieur." "You don't recognize me, Monsieur?" "No, Monsieur." "I'm surprised at that." "Why so? I have never seen you." "You have taken my portrait!" "Really!" I was watching Lampron, who was plainly angered at this brusque introduction. He left the chair which he had begun to push forward, let it stand in the middle of the studio, and went and sat down on his engraving-stool in the corner, with a somewhat haughty l
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