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where to go and dependent upon the charity of the people--he was most impressed with those dealing with the disregard of property. Shootings and assassinations made him clench his fists, with threats of vengeance; but the robberies authorized by the heads, the wholesale sackings by superior order, followed by fire, appeared to him so unheard-of that he was silent with stupefaction, his speech seeming to be temporarily paralyzed. And a people with laws could wage war in this fashion, like a tribe of Indians going to combat in order to rob! . . . His adoration of property rights made him beside himself with wrath at these sacrileges. He began to worry about his castle at Villeblanche. All that he owned in Paris suddenly seemed to him of slight importance to what he had in his historic mansion. His best paintings were there, adorning the gloomy salons; there, too, the furnishings captured from the antiquarians after an auctioneering battle, and the crystal cabinets, the tapestries, the silver services. He mentally reviewed all of these objects, not letting a single one escape his inventory. Things that he had forgotten came surging up in his memory, and the fear of losing them seemed to give them greater lustre, increasing their size, and intensifying their value. All the riches of Villeblanche were concentrated in one certain acquisition which Desnoyers admired most of all; for, to his mind, it stood for all the glory of his immense fortune--in fact, the most luxurious appointment that even a millionaire could possess. "My golden bath," he thought. "I have there my tub of gold." This bath of priceless metal he had procured, after much financial wrestling, from an auction, and he considered the purchase the culminating achievement of his wealth. No one knew exactly its origin; perhaps it had been the property of luxurious princes; perhaps it owed its existence to the caprice of a demi-mondaine fond of display. He and his had woven a legend around this golden cavity adorned with lions' claws, dolphins and busts of naiads. Undoubtedly it was once a king's! Chichi gravely affirmed that it had been Marie Antoinette's, and the entire family thought that the home on the avenue Victor Hugo was altogether too modest and plebeian to enshrine such a jewel. They therefore agreed to put it in the castle, where it was greatly venerated, although it was useless and solemn as a museum piece. . . . And was he to permit the enemy i
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