nor Sikes, nor the dog, nor the
boys, seemed to consider it in any other light than a common occurance
incidental to business.

'It's the worst of having to do with women,' said the Jew, replacing
his club; 'but they're clever, and we can't get on, in our line,
without 'em. Charley, show Oliver to bed.'

'I suppose he'd better not wear his best clothes tomorrow, Fagin, had
he?' inquired Charley Bates.

'Certainly not,' replied the Jew, reciprocating the grin with which
Charley put the question.

Master Bates, apparently much delighted with his commission, took the
cleft stick: and led Oliver into an adjacent kitchen, where there were
two or three of the beds on which he had slept before; and here, with
many uncontrollable bursts of laughter, he produced the identical old
suit of clothes which Oliver had so much congratulated himself upon
leaving off at Mr. Brownlow's; and the accidental display of which, to
Fagin, by the Jew who purchased them, had been the very first clue
received, of his whereabout.

'Put off the smart ones,' said Charley, 'and I'll give 'em to Fagin to
take care of. What fun it is!'

Poor Oliver unwillingly complied. Master Bates rolling up the new
clothes under his arm, departed from the room, leaving Oliver in the
dark, and locking the door behind him.

The noise of Charley's laughter, and the voice of Miss Betsy, who
opportunely arrived to throw water over her friend, and perform other
feminine offices for the promotion of her recovery, might have kept
many people awake under more happy circumstances than those in which
Oliver was placed. But he was sick and weary; and he soon fell sound
asleep.

CHAPTER XVII

OLIVER'S DESTINY CONTINUING UNPROPITIOUS, BRINGS A GREAT MAN TO LONDON
TO INJURE HIS REPUTATION

It is the custom on the stage, in all good murderous melodramas, to
present the tragic and the comic scenes, in as regular alternation, as
the layers of red and white in a side of streaky bacon. The hero sinks
upon his straw bed, weighed down by fetters and misfortunes; in the
next scene, his faithful but unconscious squire regales the audience
with a comic song. We behold, with throbbing bosoms, the heroine in
the grasp of a proud and ruthless baron: her virtue and her life alike
in danger, drawing forth her dagger to preserve the one at the cost of
the other; and just as our expectations are wrought up to the highest
pitch, a whistle is heard, and we are straightway tra