n to write--the only
way--is by writing, and you never will know what you might do unless you
dare and try.
Both as a matter of expediency and of getting as much fun out of the
work as possible, it is well in the beginning to be versatile.
Eventually, the free lance faces two choices: He may become a specialist
and put in the remainder of his life writing solely about railroads, or
about finance, or about the drama. Or he may, as Robert Louis Stevenson
did, turn his hand as the mood moves him, to fiction, verse, fables,
biography, criticism, drama or journalism--a little of everything. For
my own part, I have always had something akin to pity for the fellow who
is bound hand and foot to one interest. Let the fame and the greater
profits of specialization go hang; "an able bodied writin' man" can best
possess his soul if he does not harness Pegasus to plow forever in one
cabbage patch.
Like the Ozark Mountain farmer who also ran a country store, a saw mill,
a deer park, a sorghum mill, a threshing machine and preached in the
meetin' house on Sunday mornings, I have turned my pen to any honest
piece of writing that appealed strongly enough to my fancy--travel,
popular science, humor, light verse, editorials, essays, interviews,
personality sketches and captions for photographs. Genius takes a short
cut to the highroad. But waste not your sympathy on the rest of us, for
the byways have their own charm.
While one is finding his footing in the free lance fields, he had best
not hold himself above doing any kind of journalistic work that turns an
honest dollar. For he becomes richer not only by the dollar, but also by
the acquaintances he makes and the valuable experience he gains in
turning that dollar. There was a time--and not so long ago--when, if the
writer called at the waiting room of the Leslie-Judge Company, the girl
at the desk would try to guess whether he had a drawing to show to the
Art Editor, a frivolous manuscript for _Judge_ or a serious article for
_Leslie's_. At the Doubleday, Page plant the uncertainty was about
whether the caller sought the editor of _World's Work_, _Country Life_,
the _Red Cross Magazine_ or _Short Stories_--he had, at various times,
contributed to all of these publications.
Smile, if you like, but there is no better way to discover what you can
do best than to try your 'prentice hand at a great variety of topics and
mediums. The post-graduate course of every school of journalism
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