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, who wore robes of purple and white lace. The music of the blue and gold organ was subdued to a velvet whisper. Suddenly a boy arose behind the carved benches of the choir. He sang in a voice as clear as a bird's: "Come, Holy Spirit, Come." It was Fil who was singing. The censers were swinging. The organ began to drown even Fil's clear voice. Then all the singers in the choir arose and filled the great dome, the long cathedral aisles, and even the palm grove outside the windows, with a great burst of sacred music: "Holy, Holy is the Lord." It was all very solemn and very sweet. Far richer than in the homeland, seemed the music, because of the greater natural beauty of the tropics. Then our good friend, the Padre, arose, and spoke to his people, about charity and missions and peace and the stranger within the doors. He spoke so kindly that we all regretted war, and even hated the name of war. He asked us to give gifts for the wounded and the poor in other sad, colder, harder lands of hate and evil. Then he extended his hands. A great blessing seemed to flow down from the pulpit and even from the walls of the holy temple of peace, where the white altar, the golden cross, and the colored windows shone out as signs of purity and love. When the service was dismissed, we all walked home together. "When are you going to be a Christian, little Moro?" inquired the kind Padre. "I am a Mohammedan. My people come from the southern Philippines. We worship one God, and Mohammed is his prophet. We make converts by the sword of force, rather than by preaching," replied Moro, his eyes looking strange and brave. "Tell me more about your religion. I have heard it is peculiar," said Filippa. "When we pray, we face Mecca, instead of Jerusalem or Rome. At Mecca in Arabia is the Holy Book, which we call the Koran. There, also, is the birthplace of Mohammed, our prophet. We believe in troops of angels above, as well as in 'jinns,' or spirits, on earth, who are ready to help us. We have no altars in our mosques or churches. "Our mosques are immense, plain structures, with only large Arabic letters of texts, painted on the walls and ceiling. Five times a day, the Muezzin priest mounts the outside of the mosque tower, and calls the faithful to prayer. Each Mohammedan carries his own praying mat. After placing it on the tile floor beneath the thin pillars, he kneels and bows upon his mat, facing Mecca
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