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ears and knives--of the same curious metal as the sword which Pablo so opportunely had laid hands upon in the canon, but far more finely finished and more delicate in design. And of this same metal was made a great throne, as it seemed to us to be, that was in the largest room of the finest of all the houses; a house that we believed was once the pleasure palace of the king. The audience-chamber in which this throne stood was of finely wrought stone-work, whereof the whole surface was covered with low-reliefs of men and animals--scenes of battle, of council, and of the chase--surrounded by curious tracery of such orderly design that Fray Antonio agreed with me in the belief that it was some sort of hieroglyphic writing. But this matter is treated of so fully in my _Pre-Columbian Conditions on the Continent of North America_ that I need not enter upon discussion of it here. But in none of these houses, much to the disappointment of Rayburn and Young, did we find any scrap of the treasure for which they so earnestly longed. And, truly, if treasure remained in this wrecked city, it was less likely to be in these outlying country houses than in some strong building in the city's heart; and so beyond their reach in the depths of the lake. If this were indeed the walled city for which we were searching--as well it might be, for never was a city surrounded by grander walls than the mighty cliffs wherewith the valley was encompassed--our search was like to be a vain one so far as mere treasure was concerned; though I, for my part, felt myself well repaid for all that I had thus far suffered by the discovery of so much that was of archaeological value. In this purer pleasure Fray Antonio shared; yet was he also dissatisfied--for he had come with us that he might preach Christianity to living souls: and here were only the bones of countless dead. The paved way still led westward, and we followed it--for to the westward must be the valley's outlet. As it rose to a higher level the way widened; and on each side of it was a stone statue of the god Chac-Mool. As we came to these statues Young proceeded, in a most business-like way, and with no apparent appreciation of the queer figure that he cut, to sit down in turn on each of their heads. And he was mightily disappointed when he found that neither of them stirred. "They're not th' tippin' kind," he said, ruefully, as he got down from the head of the second one and looked at it
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