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tedly to a coat-tree, in a corner, from which three or four dresses were suspended--dresses she immediately perceived to be costumes in that night's play--accompanied by a saucer of something and a much-worn powder-puff casually left on a sofa. This was a familiar note in the general impression of high decorum which had begun at the threshold--a sense of majesty in the place. Miriam rushed at the powder-puff--there was no one in the room--snatched it up and gazed at it with droll veneration, then stood rapt a moment before the charming petticoats ("That's Dunoyer's first underskirt," she said to her mother) while Sherringham explained that in this apartment an actress traditionally changed her gown when the transaction was simple enough to save the long ascent to her _loge_. He felt himself a cicerone showing a church to a party of provincials; and indeed there was a grave hospitality in the air, mingled with something academic and important, the tone of an institution, a temple, which made them all, out of respect and delicacy, hold their breath a little and tread the shining floors with discretion. These precautions increased--Mrs. Rooth crept about like a friendly but undomesticated cat--after they entered the foyer itself, a square, spacious saloon covered with pictures and relics and draped in official green velvet, where the _genius loci_ holds a reception every night in the year. The effect was freshly charming to Peter; he was fond of the place, always saw it again with pleasure, enjoyed its honourable look and the way, among the portraits and scrolls, the records of a splendid history, the green velvet and the waxed floors, the _genius loci_ seemed to be "at home" in the quiet lamplight. At the end of the room, in an ample chimney, blazed a fire of logs. Miriam said nothing; they looked about, noting that most of the portraits and pictures were "old-fashioned," and Basil Dashwood expressed disappointment at the absence of all the people they wanted most to see. Three or four gentlemen in evening dress circulated slowly, looking, like themselves, at the pictures, and another gentleman stood before a lady, with whom he was in conversation, seated against the wall. The foyer resembled in these conditions a ball-room, cleared for the dance, before the guests or the music had arrived. "Oh it's enough to see _this_; it makes my heart beat," said Miriam. "It's full of the vanished past, it makes me cry. I feel them
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