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nor dwindled even by the great height of the hills. It is pleasant to lose sight entirely of a beautiful scene, and to plod along for a few hundred yards in almost objectless shadow. Our conceptions and feelings are bright and strong from the nearness of their objects, yet the dream is somewhat different from the reality. All at once, at a turning of the road, the splendour reappears like an unfurled banner, and the heart leaps in the joy of the senses. This sort of enjoyment comes upon you before you reach the Village of Grassmere from the point of vision above described, and a stranger sometimes is apt to doubt if it be really the same Lake--that one island, and those few promontories, shifting into such varied combinations with the varying mountain-ridges and ranges, that show top over top in bewildering succession, and give hints of other valleys beyond, and of Tarns rarely visited, among the moorland wastes. A single long dim shadow, falling across the water, alters the whole physiognomy of the scene--nor less a single bright streak of sunshine, brightening up some feature formerly hidden, and giving animation and expression to the whole face of the Lake. About a short mile from the Village Inn, you will pass by without seeing it--unless warned not to do so--one of the most singularly beautiful habitations in the world. It belongs to a gentleman of the name of Barber, and, we believe, has been almost entirely built by him--the original hut on which his taste has worked having been a mere shell. The spirit of the place seems to us to be that of Shadowy Silence. Its bounds are small; but it is an indivisible part of a hill-side so secret and sylvan, that it might be the haunt of the roe. You hear the tinkle of a rill, invisible among the hazels--a bird sings or flutters--a bee hums his way through the bewildering wood--but no louder sound. Some fine old forest-trees extend widely their cool and glimmering shade; and a few stumps or armless trunks, whose bulk is increased by a load of ivy that hides the hollow wherein the owls have their domicile, give an air of antiquity to the spot, that, but for other accompaniments, would almost be melancholy. As it is, the scene has a pensive character. As yet you have seen no house, and wonder whither the gravel-walks are to conduct you, winding fancifully and fantastically through the smooth-shaven lawn, bestrewed by a few large leaves of the horse-chestnut or sycamore. But
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