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The Project Gutenberg eBook, Bohemians of the Latin Quarter, by Henry Murger This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Bohemians of the Latin Quarter Author: Henry Murger Release Date: May 27, 2006 [eBook #18445] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK BOHEMIANS OF THE LATIN QUARTER*** E-text prepared by Chuck Greif from digital text provided by the Worchel Institute for the Study of Beat and Bohemian Literature (http://home.swbell.net/worchel/index.html) Note: This book by Henry Murger, originally publised in 1851, was the source of two operas titled "La Boheme"--one by Giacomo Puccini (1896) and the other by Ruggero Leoncavallo (1897). Project Gutenberg also has the original French version of the book (Scenes de la vie de boheme); see http://www.gutenberg.org/etext/18446. BOHEMIANS OF THE LATIN QUARTER by HENRY MURGER 1888 Vizetelly & Co. London TABLE OF CONTENTS Preface Chapter I, How The Bohemian Club Was Formed Chapter II, A Good Angel Chapter III, Lenten Loves Chapter IV, Ali Rodolphe; Or, The Turk Perforce Chapter V, The Carlovingian Coin Chapter VI, Mademoiselle Musette Chapter VII, The Billows of Pactolus Chapter VIII, The Cost Of a Five Franc Piece Chapter IX, The White Violets Chapter X, The Cape of Storms Chapter XI, A Bohemian Cafe Chapter XII, A Bohemian "At Home" Chapter XIII, The House Warming Chapter XIV, Mademoiselle Mimi Chapter XV, Donec Gratus Chapter XVI, The Passage of the Red Sea Chapter XVII, The Toilette of the Graces Chapter XVIII, Francine's Muff Chapter XIX, Musette's Fancies Chapter XX, Mimi in Fine Feather Chapter XXI, Romeo and Juliet Chapter XXII, Epilogue To The Loves Of Rodolphe And Mademoiselle Mimi Chapter XXIII, Youth Is Fleeting PREFACE The Bohemians of whom it is a question in this book have no connection with the Bohemians whom melodramatists have rendered synonymous with robbers and assassins. Neither are they recruited from among the dancing-bear leaders, sword swallowers, gilt watch-guard vendors, street lottery keepers and a thousand other vague and mysterious p
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