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Then, when some came in To part them, others stayed them, and the fight Spread among dozens; many valiant souls Went down from clubs and bricks. But tell me, Muse, What god or goddess rescued Bengal Mike? With one last, mighty struggle did he grasp The murderous hands and turning kick his foe. Then, as if struck by lightning, vanished all The strength from hog--eyed Allen, at his side Sank limp those giant arms and o'er his face Dread pallor and the sweat of anguish spread. And those great knees, invincible but late, Shook to his weight. And quickly as the lion Leaps on its wounded prey, did Bengal Mike Smite with a rock the temple of his foe, And down he sank and darkness o'er his eyes Passed like a cloud. As when the woodman fells Some giant oak upon a summer's day And all the songsters of the forest shrill, And one great hawk that has his nestling young Amid the topmost branches croaks, as crash The leafy branches through the tangled boughs Of brother oaks, so fell the hog--eyed one Amid the lamentations of the friends Of A. D. Blood. Just then, four lusty men Bore the town marshal, on whose iron face The purple pall of death already lay, To Trainor's drug store, shot by Jack McGuire. And cries went up of "Lynch him!" and the sound Of running feet from every side was heard Bent on the THE END The late Mr. Jonathan Swift Somers, laureate of Spoon River planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy's Mirror of December 18th, 1914. End of Project Gutenberg's Spoon River Anthology, by Edgar Lee Masters *** END OF THIS PROJECT GUTENBERG EBOOK SPOON RIVER ANTHOLOGY *** ***** This file should be named 1280.txt or 1280.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/2/8/1280/ Produced by an anonymous Project Gutenberg volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) ca
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