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ery path I was now treading! A number of rude paintings ornament the walls of the chapels, which repeat over and over again the simple symbols of the Christian faith, and the touching stories of the Bible. The ark of Noah; Daniel in the lions' den; the miracle of Cana; the raising of Lazarus--are among the most common of these frescoes. And they are deeply interesting, as showing that down in these dim and dreary vaults, which presented such a remarkable contrast to the lovely violet sky and the grand architectural magnificence above ground, among men who cared little for the things of time and sense, because life itself had not a moment's security, were nevertheless nourished thoughts of ideal beauty and unearthly grandeur, which afterwards yielded such glorious fruit in the Christian art of Italy. The frescoes of the Catacombs are the feeble beginnings of an artistic inspiration which culminated in the "Last Supper" of Leonardo da Vinci, and the "Transfiguration" of Raphael. The anchor of hope, the olive-branch of peace, and the palm-branch as the sign of victory and martyrdom, were seen everywhere. The fish, whose Greek name is formed by the initial letters of the titles of our Lord, was carved on the marble tablets and sarcophagi as the anagram of the Saviour; and an Orante, or female figure praying, was represented as the symbol of the Church. The most common of all the figures, however, was that of the Good Shepherd carrying the lost sheep on His shoulders, or leaning on His staff while the sheep were feeding around Him. And a most touching figure it is, when we think of the circumstances of those who carved or painted it in these gloomy aisles. It was into no green pastures, and beside no still waters, that the Good Shepherd led His flock in those awful days, but into waste and howling wildernesses, where their feet were bruised by the hard stones, and their flesh torn by the sharp thorns, and all the storms of the world beat fiercely upon them. But still He was their Good Shepherd, and in the wilderness He spread a table for them, and in the valley of the shadow of death they feared no evil, for He was with them, and His rod and staff comforted them. I wish I could express adequately the emotions which filled my breast while wandering through these Catacombs. Save for the feeble glimmer of my own and the guide's lamp, I was in total darkness,--a darkness that might be felt. Not a sound broke the awful sil
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